Showing posts with label By Kilian Rose Oud. Show all posts
Showing posts with label By Kilian Rose Oud. Show all posts

Sunday, 28 June 2015

Jōvan Intense Oud review: a blingy drugstore steal!

In blogger discussions on fragrance trends, there is much talk of people being heartily 'over' oud, even though oud-forward perfumes continue to be launched at a steady rate. Why, just this year the iconic Ralph Lauren Polo begat a Polo Supreme Oud flanker, for goodness's sake. Me, I am not 'over' oud, having never been remotely 'into', 'onto' - or even 'under' - it in the first place. That said, in my last Top Sniffs and Nasty Niffs round up (of 2013 releases), I did cite Exidolo's Thirty-Three as the best niche oud fragrance of that year, but very much along the lines of 'if you like that sort of thing'.

My issues with oud are partly to do with its austere scent - at its worst tipping over into Band-Aid / Germolene territory, as with some Montales - and partly the fact that oud is integral to that whole Arabian Nights-spice route school of perfumery, of which I am also a little weary, though my attachment to all things Taif rose-related remains as strong as ever. But oud I can take or leave.

Then the other day, completely unprompted, Liz Moores of Papillon Perfumery sent me a full bottle of Coty's Jōvan Intense Oud. I am familiar with Jōvan Musk, bottles of which may be seen languishing in plastic baskets by pharmacy tills up and down the land. Indeed, the forlorn and paltry range of scents in my local chemist prompted a blog post of its own a few years back. I had not come across this oud scent by Jōvan though, which was part of a trio of launches in 2012, along with Silky Rose and Secret Amber. Liz thought Jōvan Intense Oud such a bargain at £15 that she felt I had to try it. She considers me something of a bloggers' champion of budget fragrances, and figured I might be interested in another corner chemist coup from Coty!

Papillon-themed card from Liz on my new pinboard!

Given that I am actively trying to divest myself of perfume at the moment rather than acquire more bottles by any means, I was initially apprehensive about receiving a whole bottle of an oud fragrance, of all things. After all, when Matthew Zhuk of Exidolo offered me one of Thirty-Three on a blind basis I declined, explaining that I might not like it and I hated waste - and I'm pleased to say he did just send me a sample in the end.

But in the case of the Jōvan, my worries were unfounded. Okay, so the gold ribbed top is a trifle gaudy, but what can you expect for £15? Plus the perfume itself is a smooth, classy number all right, to the point where I have taken the trouble to add the horizontal bar accent over the 'o' - and as regular readers know, there are not many perfumes for which I will put myself out in that way, typographically speaking. And I am also embracing this new acquisition despite the bottle being a whopping 88ml! 88ml?? There's another thing to love right there - a blithe disregard for standard pack sizes.



Without further ado, here is the sales blurb about Jōvan Intense Oud, from NST:

"Delight in the darkly enigmatic Intense Oud, a powerfully alluring woody floral. The scent opens with a delicately spiced blend of saffron and lemongrass before building to an addictive heart of cistus labdanum and Turkish rose absolute. Combined with patchouli and sandalwood, Oud wood sensually embraces the whole fragrance, creating an overall experience of distinguished opulence."

So how does it smell to me? Well, in a nutshell - and this may be some reassurance to any other readers who are pretty indifferent to oud - Jōvan Intense Oud isn't particularly dark or powerful, opulent or intense. Rather, it smells like the 'comfy jogging pants' of the oud world, to quote Tara's masterly description of the drydown of Penhaligon's Tralala. Who knew such a thing even existed! Intense Oud is smoothed off and sanitised - that's 'sanitised' in the sense of 'toned down', rather than in the sense of Dettol wipes etc - it's just a gentle hum of oud on your skin. And because Intense Oud isn't intense at all, it needs frequent refreshing, which is no hardship given such a large bottle. Yes, just as Lidl Suddenly Madame Glamour is like a weaker version of Chanel's Coco Mademoiselle, so Jōvan Intense Oud is a watered down take on By Kilian Rose Oud, or something of that ilk.

One of the few reviewers of Intense Oud on Makeupalley exactly sums up my own thoughts on this scent, and its appeal:

"Jovan/Coty have done a very clever thing - they've taken fragrances that are often bagged for being too strong and diluted/twitched notes to make something really wearable. Jovan Intense Oud is a prime example....This is oud, unmistakable as the trendy note going around, but it's friendly, soft, warm. I very much liked this, not least because it makes oud so easy to wear."

They may mean 'oud' the instrument, but never mind ~ Source: Amazon

Now I am not sure I could say a lot more about Intense Oud, as it is well blended and doesn't really progress as such, apart from a fleeting sharpness on first application. I do detect some rose, a whiff of saffron and a generally resinous/woody/oud-y vibe, bolstered by occasional puffs of patchouli, but I wouldn't overegg my perception of the individual notes. And for a formulation that must have cost literally pence, this is not obviously cheap or 'chemically' at all. In a blind test I could well imagine it was at least high end designer, say.

Then I happened to be over at ex-Mr Bonkers' this morning (as in my old house), to pick up a couple of pieces of mail that had washed up there despite my having been gone three years. One was a pouch containing freeze-dried Neapolitan ice cream that you can keep - and eat! - at ambient temperature. Such was our combined curiosity that we ended up polishing most of it off while I was there. If anyone is interested, it had the texture of polystyrene, but if you let it melt in your mouth it tasted just like ice cream - or ice cream that is warmed by a hot sauce, say.

And I also took the opportunity to get ex-Mr B to sniff me wearing the Jōvan perfume, as he really doesn't care for perfume as a category - and has even been known to ask me to leave the room during some of the more febrile testing sessions at the start of my hobby. Intense Oud he described as 'inoffensive' and 'a bit like luxury soap'. Much like Sarah Jessica Parker's Lovely, then, and pretty much any perfume I put before him that doesn't precipitate instant recoil or outright gagging.

So yes, as ex-Mr Bonkers' response attests, this is a smooth, entry level oud, oud with training wheels, office-appropriate oud, jogging bottoms oud - however you want to term it. It won't break the bank and it won't smell of plasters. Nor will its bottle grace your dressing table, it must be said. Not that we should really be keeping our perfume there, as we all know...

As eaten by astronauts! Not bad, but I'll stick with Häagen-Dazs



Wednesday, 8 February 2012

A Knightsbridge Sniffing Blitz With Tara Of Olfactorias Travels: Part Two - Harrods Perfume Hall & Harvey Nichols

Following our thoroughly enjoyable session at the Roja Dove Haute Parfumerie, sniffing obscure, expensive and variously bejewelled fragrances, Tara and I made our way down the preposterously opulent escalator to the main perfume hall of Harrods on the ground floor. We were chatting animatedly at this point about our respective personal lives and as a result got ourselves thoroughly lost in the handbag department, which is preferable to losing one's handbag, I suppose.

When we finally found the perfume hall, there were a number of tester-toting promotions girls loitering with intent in the main walkways, but we managed to dodge all their proferred blotters and homed in on a few specific brands of interest: Guerlain, Cartier & Dior, as well as checking out the new exclusive range of Dolce & Gabbanas which Marcel had mentioned, and - despite all our best intentions - getting waylaid by a limpet-like sales lady at the Bond No 9 counter.

Once again, please take all these observations as broadly indicative at best, as they are based on fast dwindling recall and faded smelling strips...

GUERLAIN

I was keen to try Angélique Noire from the L'Art et la Matière range on skin, having famously smelt it on Birgit in Austria in December, and been struck by how glorious it was on her. The notes look deceptively simple - angelica, bergamot, vanilla - yet the overall effect is complex and I'd almost say "rich". I liked the opening of Angélique Noire best - it struck a nice balance between the flinty greenness of the angelica and the creamy warmth of the base, but as the scent wore on it got just a tad boozier than I would have liked, as if someone had slipped a bit of Spiritueuse Double Vanille in there while my back was turned. Tara, meanwhile, sprayed SDV on her own arm and it was quite pleasant on her, especially the later stages, but still too boozy for my taste. We also tried Oriental Brûlant from the Elixirs Charnels range on card, which I can't remember clearly except that it wasn't on fire or in any sense as full-on as you might think, and I would like to try it properly some time. I have now clocked the notes and am not surprised I liked it, notwithstanding the presence of styrax, which I associate with some fierce scents - here it is muffled in fluffy dessert ingredients. (I keep coming back to vanilla fragrances...!)

Notes: tonka bean, almond, vanilla, styrax, clementine

CARTIER

Next, Tara and I were keen to do a systematic sampling of the Les Heures scents, as we had each smelt some - though not the same ones. To this end, a flower-shaped Baiser Volé blotter (aka "Cart-ier Wheel") was pressed into service - now that I am aware of there being more elaborate styles of perfume cards, I have started to see them all over the place... : - ) We managed to spray a different scent on each of the six tips of the flower's petals, for which it was ideally designed! My memory is very hazy of this range, except to say that L'Heure Convoitée was a definite no-no for both of us on account of its pronounced carnation note, while L'Heure Défendue was a double thumbs up on account of its chocolate note, something of a "Must-have" in any Cartier scent collection...

Tara has just been in touch with some more thoughts on the range:

"I already liked L'Heure Fougeuse and L'Heure Brilliante (the gin one)... We didn't care for the lychee one (L'Heure Diaphane) or the new carnation one. The Mysterious one didn't come across on paper, but I understand it's incense so should try it again. The 13th hour was just birch tar and not much else."

Aha - I had forgotten the gin one - I feel sure I must have liked it though! : - )

DIOR

It was at the Dior counter that Tara's effortlessly nonchalant sample-scoring skills were deployed to great effect, for she managed to procure us each two large sample pots: Ambre Nuit and Milly-la-Forêt in my case, and Milly-la-Foret and Eau Noire in Tara's. I wasn't particularly bothered about trying Milly-la-Forêt, but the SA seemed keen to further its cause, and having tried it, I can see that it needs all the help it can get. Am retesting Milly-la-Forêt as I type, and it is a quiet inoffensive floral with a pronounced citrus opening, which could easily be a designer release - very nondescript!

Then I wore Ambre Nuit all day yesterday, and have decided that I like it as much as New Look 1947. It is an understated blend of soft amber, rose, wood, and a light dusting of spice. For occasions where L'Air du Désert Marocain or OJ Ta'if might feel a little "out there", I can imaging that Ambre Nuit would make a great substitute.

D & G Velvet Collection

Tara and I couldn't quite remember which of this new range Marcel had asked us to look out for, but I thought it was the patchouli and vetiver ones, while Tara thought it was one of the florals, so we tried the lot anyway just to be sure. They all struck me as well made, and with the exception of Velvet Patchouli I didn't dislike any of them, and would happily try the whole lot again in a more leisurely fashion. It is true that by this point in the afternoon our noses were feeling a bit jaded to say the least, and we hadn't even been to Harvey Nicks yet! I think I liked the florals Velvet Love and Desire best, followed by the orange-y Sublime and the woody Wood(!).

Here is a link to an overview of the range (with note listings) from NST. They definitely felt of a higher quality to my nose than that numbered collection, that has always struck me as a poor man's version of the Chanel Exclusifs.

Bond No 9

So as I explained above, Tara and I were reeled in by the Bond No 9 SA, who seemed hell-bent on finding a fragrance from the line for each of us to love, even though we were privately convinced that if it hadn't happened yet it probably wasn't going to happen. In fast and furious succession we were given at least seven scents to try - I am confident of that number, as I have the frisbee cards to prove it. It doesn't really matter now what we tried (though I think Chelsea Flowers was deemed to be the "least worst", and the Harrods amber one that smells like hot and sour soup was in there too). The best thing I can think to say about the range is that the blotters would double up as serviceable emergency coasters. And also perhaps serve as a desktop model of Swindon's notorious "Magic Roundabout", teaching learner drivers the correct way to negotiate its convoluted series of wheels within wheels. I speak from experience, having passed my test there myself!


TOM FORD COSMETICS & BURBERRY BEAUTY

The other thing Tara and I did in Harrods is a considerable amount of ogling of high end make up. More than ogling in fact, because at the Tom Ford counter I volunteered my services as an eyebrow model, so Tara could see the effect of brow pencils in different shades, with a view to getting one for her mother. She chose one called Espresso in the end, which was pronounced the closest to her mum's hair colour. It had all sorts of ingenious compartments, integral sharpeners and general built-in wizardry. Which is the least you would expect for what is clearly the Rolls-Royce of brow shaping tools.

And Tara and I also lingered for a long time at the Burberry Beauty section, to whose quirkily textured bullet lipsticks I had been alerted by a post on Katie Puckrik Smells. We lingered so long in fact, and looked so simultaneously eager and forlorn - for Burberry lipsticks comfortably bust the twenty quid barrier, costing nearly twice as much as I have ever paid for a lippie - that the very kind SA gave us not one but a total of three sample sets between us, comprising four different shades each! Three because the unstintingly gallant Tara scored me a second one with yet another disarmingly casual point-blank request, along the lines of: "So would you have another of the cards with Rosewood on it for my friend to try, because it isn't on the one you just gave her."

But the time and the free samples will not have been in vain. I have been conscientiously auditioning all eight of my own samples, and feel I am definitely moving towards a purchase - and possibly falling down the rabbit hole of luxury make up more comprehensively. Have got my eye on some Nars, Chanel and Sunday Riley eyeshadows as well...

After Harrods, Tara and I had tea (and in my case a bowl of very thick onion soup) in the Harvey Nichols cafe. We exchanged sample packages, and I was blown away when Tara also pressed upon me her cast off bottle of Tom Ford Voile de Fleur! Restored by the pitstop, we did a desultory scope of the downstairs perfume hall, securing a couple of By Kilian samples (including the lovely Rose Oud), and inadvertently nicking the SA's pen, which we duly returned on the way out.

Nothing much to report from this last stop on our itinerary, for we were both starting to flag now. As per Marcel's instruction, we sniffed Van Cleef & Arpels Precious Oud - which had just come in that day - and whipped through some Piguets that were unknown to us both, including Douglas Hannant (not a men's scent, as the name might imply), which Robin of NST has aptly termed a "diet Fracas".

And by then it was 7pm and I had to head back to Euston, so we parted at the barrier in Knightsbridge tube station - at the barrier rather than downstairs between the platforms, because the turnstile rejected my Oyster card! A small technical hitch at the end of a very full and fun afternoon with Tara. And with my Oyster card now flush with credit, I look forward to doing it all again sometime!


Photo of Harrods from Wikimedia Commons, photo of Angélique Noire from laroshe.ru, photo of D & G Velvet perfume from fragrantica, other photos my own