Belgium, though a small country, punches above its weight in terms of numbers of niche perfumeries, and this post recounts my remaining solo sniffing sessions during the three day trip last August. Victoria and I had thought of spending the afternoon of our day together at Senteurs d’Ailleurs, a high end fragrance and cosmetics store in Brussels, but we ended up not leaving her flat! So after checking out of my hotel the following day, I set off in the car for Place Stéphanie, and instantly regretted my decision to drive. For I soon became snarled up in traffic gridlock caused by the inevitable road works and diversions everywhere I turned. My satnav was in meltdown and I wasn’t far behind it. In the end, I conceded defeat and abandoned the car in a side street. More by luck than judgement, Senteurs d’Ailleurs was only about 10 minutes’ walk away, and soon I was browsing the fragrance fixtures of its cool, onyx-clad interior.
A BUNCH OF MOSTLY OUD-Y THINGS
As with my visit to La Place Vendôme, I have kept the scent strips from that day, and it is apparent from the scribbled names on them that I mostly smelt a bunch of oud-y things. This is not because I am particularly partial to oud as a note – on the contrary – but because most of the new scents that I spotted happened to showcase the blessed stuff, so I sniffed them merely in the spirit of getting with the program, as it were:
The Different Company Oud Shamash
The Different Company Oud for Love
Byredo Oud Immortel
Byredo Accord Oud
Maison Kurkdjian Oud
Heeley Agar Wood
Tip for The Different Company – if you want to be different, maybe lay off the oud next time…?
I also tried a couple more Byredos that were new to me (Mister Marvellous and Seven Veils), plus the clean and forgettable Pure Virgin from The Different Company. None of these featured oud as far as I recall, but that alone was not enough to endear them to me.
MONA DI ORIO ETOILE DE HOLLANDE
My other important discovery in Senteurs d’Ailleurs was Mona di Orio’s Etoile de Hollande, a refined and retro woody rose in the general vein of Lyric Woman / Portrait of a Lady / Guerlain Rose Nacrée du Désert - which is to say, not really my style. But I could appreciate its elegance nonetheless, and there was a certain piquancy about trying a scent with Holland in the name in another one of The Low Countries... : - ) Plus the blotter smells rather wonderful nearly three months later...
Notes: Bergamot, White Peach, Heliotrope, Bulgarian Rose, Turkish Rose, Geranium, Clove, Patchouli, Cedar, Vanilla, Bezoin, Ambre, Balsam
One thing that struck me during my visit to Senteurs d’Ailleurs is that when I was alone at the back of the store, one of the staff immediately found a reason to come and fiddle with the stock in that section, possibly because they didn’t trust me not to have one of the testers away in my copious tote bag, or so it seemed to me...they did let me take photographs, mind, so credit where credit’s due.
ANNICK GOUTAL NEROLI & NUIT ETOILEE
Next up I popped into Annick Goutal over the road to try out one of Victoria’s favourite scents, Neroli, which – as she explains in a review of this scent from 2011 - she appreciates for the delicate interplay of neroli and orange blossom absolute:
“Orange blossom is darker, richer and more voluptuous, while neroli is greener and fresher. Their complementary qualities make for a particularly multifaceted orange flower accord. The composition is accented with aromatic basil and bergamot, while vanilla and cedarwood create a smooth, polished base.”
I could see why Victoria was so taken with Neroli, and wouldn’t have minded a sample of it, however, my main focus on the sample scoring front was to blag one of Nuit Etoilée instead, despite being rather intimidated by the beautifully made up sales assistant. I got lucky! I was delighted to find that I liked Nuit Etoilée very much. The minty opening was shortlived – and it didn't even bother me it as I'd feared it would. Also, despite the resinous notes of the base, the overall vibe of the scent was very refreshing and crisp, clean and citrusy, and I would defy anyone not to like it, which I don’t say of many scents. I thought it would be more “Blair Witchy” like Ormonde Jayne Woman, but not at all. For a forest-inspired scent, there was an unexpected softness rather than a prickle of pine needles. It was a “forest scent for wimps”, just the way I like them…
PARFUMERIE GUTMANN, WAREGEM
When I finally managed to drive out of Brussels – after a catalogue of wegomlegging woe, the tortuous nitty gritty of which I will spare you - I made it to my next port of call, Waregem, just before the shops closed. There was a rather gaudy funfair in full swing in the market square, but I headed straight for Parfumerie Gutmann, drawn to its window by this remarkable mannequin, a novel window dressing idea designed to illustrate the Guerlain fragrance, La Petite Robe Noire. Though in my view the frock, which had been carefully studded with miniature perfume bottles of every brand and shape, was a work of art in its own right... For when it comes to choosing a perfume to accessorise your little black dress, don’t believe anyone who tells you "less is more".
Senteurs D'Ailleurs
Place Stéphanie 1A
1050 Brussels
Belgium
Tel: +32 2 511 69 69
Photo of Etoile de Hollande from Fragrantica, other photos my own.
Showing posts with label The Different Company. Show all posts
Showing posts with label The Different Company. Show all posts
Sunday, 11 November 2012
Sunday, 18 July 2010
Label.M Professional Haircare: The Seaside In A Soufflé
I am a little behind with my usual blogging schedule, on account of what has been - in my semi-hermit terms, at least - an unusually sociable week. This also prompted a visit to the hairdresser yesterday, where once again the stylist made a surprisingly small number of judicious snips, before transforming my skull cap of fine, flat, lifeless hair into a tousled, textured, artfully dishevelled mane. As though I had spent all day romping in bed. Or as Mr Bonkers' mother might observe, as if I had been dragged through a hedge backwards. To which I would reply that this look is in fact achieved by walking frontways and voluntarily through a hedge, negotiating the tangled thicket with the confidence and panache of a certified arborist.
And in my case, the look lasted for a full 30 minutes after I left the salon. We might have stretched to three quarters of an hour had it not been so jolly windy.And as anyone attending a 21st century hair salon knows (which excludes Mr Bonkers, who still favours a £9 cut from the barber's round the corner), these sassy, fashion looks are achieved with something known monolithically as "product". Yes, the term "product" encompasses the full armoury at a stylist's disposal, from styling mousse to gel to putty, and from light hold hairsprays to shimmer mists - to name but a few of the many arcane unguents that are now essential in modern hairdressery.
In my own case, the stylist achieved this volumising effect using Label.m soufflé just before he blow dried my hair.
A reviewer on Amazon perfectly sums up the head-enhancing benefits of this product:
"My hair can be very flat and...it gives it a proper little bouffanty look."
I am particularly partial to the scent of this soufflé, as it reminds me vividly of the salty smell of the seaside. On the side of the pot, we learn a little about the ingredients:
"Re-invent the curl with this uber nourishing, protective mix of avocado, Barbados cherry and olive, which creates loose, glossy waves or instant volume."

I am reassured to learn that Label.m also contains this "Enviroshield Complex". If routine applications of a white gunk eliminate the need for tedious domestic recycling initiatives, I'd consider it well worth the £11 odd price tag. I often cut myself while washing out tin cans, for example.
On reflection, it is curious that this product makes me think of the seaside, when its chief ingredients are avocado, cherry and olive. That places it somewhere between an English - or, indeed, a Barbadian - orchard, an Italian hillside and various parts of the Americas. On the website of the California Rare Fruit Growers organisation I found this interesting titbit on the habitat of the avocado:
"Avocados will grow in shade and between buildings, but are productive only in full sun. The roots are highly competitive and will choke out nearby plants. The shade under the trees is too dense to garden under, and the constant litter can be annoying."
Golly! On the face of it then, this does not come across as a beach dwelling kind of cultivar, but I also note that avocados account for 57% of Hawaii's agricultural output, and Hawaii is definitely noted for its beaches. So, you know, the jury may still be out. If anyone has recently been on holiday to California, Mexico or Hawaii, and recalls fronds from avocado trees hanging over their sun lounger, or even extreme cases of being nutted by the whole fruit, please do leave a comment.
Anyway, this apparently surprising choice of avocado in a haircare product for its maritime connotations got me thinking about how perfumes known to be associated with the sea and/or coastal scenery achieve a similar effect.
First up was MILLER HARRIS - FLEURS DE SEL:
Notes - rosemary, thyme, clary sage, angelica, iris, rose, narcissus, leather, amber, oakmoss and vetiver.
This is very piquant and aromatic and an excellent rendition of the wild grasses in the sand dunes behind the beach. It is grainy in texture and a bit salty too, as though someone had gone for a swim and then rolled around immediately afterwards in a carpet of marram grass, sea rocket, holly and spurge. Maybe even the odd sprig of mouse ear hawkweed.
So notwithstanding its strongly vegetal focus, I think FdS is a very successful olfactory interpretation of the Breton coast which was its inspiration.Next up was THE DIFFERENT COMPANY - SEL DE VETIVER
Notes - grapefruit, cardamom, Haitian vetiver, patchouli, iris, ylang ylang.
There is a slightly salty tang to this one, but my overriding impression is of the grapefruit and vetiver, so I am not feeling the seaside so much with this one, nice as it is (or might be on a man).
And lastly, I tested CREATIVE UNIVERSE BY BETH TERRY - MARE
Notes - sea salt, avocado and ginger lily.
Well, well, well. The Italian? for "sea" in the name, and both sea salt AND....drum roll....none other than our pear-shaped fruity friend the avocado! in the fragrance.
So there clearly IS an established association between the sea and the avocado, even if it is not immediately apparent to me. Mare smells quite strange to begin with - there is a disagreeable, almost off note to the fore, "off" in the sense of "dead" - it is very hard to explain. Had the avocado gone all brown and stringy, one wonders? Like bananas, it is one of those fruits with a subliminally short "optimum consumption window". Blink and it is soft and manky. And so Mare smelled at the start. It is a lot better now, more in line with Fleurs de Sel, but with less of the herbal / aromatic stuff going on. Which is most of FdS, in fairness.
So that was all rather interesting (to me, anyway). I also learnt in the course of my research that "avocado" is derived from the Aztec word for a testicle. And thinking about it, I may have put my finger on yet another salty connection, but on balance I don't think I'll go there...
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