Showing posts with label By Kilian Amber Oud. Show all posts
Showing posts with label By Kilian Amber Oud. Show all posts

Wednesday, 22 February 2017

Super furry animals and the cat's peignoir (including a mini-review of House of Cherry Bomb Immortal Beloved)

Source: Poshmark
Undina's recent 'month of roses' project - in which I have greatly enjoyed participating, even if I did fall off the wagon a few times by testing samples that had nothing to do with the romantic topic in hand - reminded me that 'roses with a twist' are one of my top two favourite fragrance styles. I'll call them 'rosientals', as the scents I like best tend to be a subset of floral orientals. Which is also why I found the task of looking for a rose perfume in that vein for my friend Jessica so rewarding, even if we never came up with a definitive contender in the end.

And my top category of perfumes - or Holy Grail genre, if you will - is those faintly animalic woody orientals that connote furriness and intimations of what a male friend of mine persists in calling 'rude business'. Or 'intimations of intimate business', even. My prim father's slightly more opaque term for this was 'filthy slop'. Now for reasons of semantic sensitivity I am reluctant to talk about my 'louche perfume j*****' - obviously I am more sheepish about the actual journey than the louche bit (eek, it slipped out!) - but you may be interested to learn that there has in fact been one.

My first introduction to the 'WAV-style' of fragrance (Woody-Amber-Vanilla - with or without patchouli) was probably PG L'Ombre Fauve, or Bestial Shadow, as it is amusingly known in English.

PG L'Ombre Fauve

Notes: woods, incense, amber, musk, patchouli

Now L'Ombre Fauve is wonderfully hoochy, but the patchouli lends a rough edge to the scent going in. I don't mean hoochy in a Hooters way exactly, but the opening is certainly not refined. It's earthy and ragged and a bit clod- - as in sod- - hopping. I never reviewed L'Ombre Fauve, because despite being such a fan of woody orientals, I find myself even more tongue-tied than usual in describing what I smell. What I can give you, if you can 'take it' (as all good mediums say), is an image of me sitting on a stool in a moodily lit tapas bar in Hamburg with my Swedish perfumista protegee Louise and several of her friends, while wearing L'Ombre Fauve. The whole party couldn't stop sniffing my wrist, having clearly succumbed to the perfume's animal magnetism, which proved more irresistible than even the dates wrapped in bacon and dainty morsels of chorizo.


Schankwirtschaft, now sadly closed. Source: Yelp

For a good while L'Ombre Fauve stood alone as the exemplar of this category. Bvlgari Black has some crossover with it in note and mood terms, but to my nose it is ultimately more (good) weird than louche. I also tried Paloma Picasso around that time, but it is a retro animalic chypre - a classy face slap with a beaver's business end.

The other scent from my early exploration to provoke a similar sensual shiver was the discontinued Damien Bash Lucifer #3. I am indebted to Louise - by now up and running on her own perfume quests! - for the introduction to this one. Uncharacteristically for me, I did manage to review Lucifer #3, but only because I was reeled in by the association between elemi, one of the key notes in the composition, and boat caulk. However, it cannot be included in 'The WAV files' proper, for it doesn't appear to contain vanilla, or any other note with a vanilla inflection...!

Damien Bash Lucifer #3

Notes: rose, jasmine, frankincense, black pepper, sandalwood, myrrh, labdanum, ylang-ylang, elemi

In these early years I also dallied with PG Felanilla and Le Labo's Labdanum 18, fellow furry numbers - quite literally in the case of Labdanum 18.

PG Felanilla

Notes: vanilla absolute, saffron, orris, banana wood, hay absolute, amber

Le Labo Labdanum 18

Notes: French labdanum, castoreum, civetta, musk, vanilla, birch resins, cinammon, patchouli, gurjan balsam, tonka bean



Source: Pinterest

Both fragrances are sultry, but these days I find the latter a tad too 'out there'. Looking at those notes, I can see why that might be - there are several ingredients that would collectively conjure a resinous and va-va-voom vanilla vibe. Labdanum 18 lacks the mysterious quality shared by L'Ombre Fauve, Lucifer #3 and Bvlgari Black, which is so key to the genre. The same could be said of Felanilla, which is from the same stable as L'Ombre Fauve, and fittingly has a barnyard quality to it.

Fast forward a fair few years to my discovery of Ramon Monegal's Ambra di Luna while visiting Jovoy in Paris with Undina in 2013. We are firmly back on terra furra with that one, and I could best describe Ambra di Luna as a 'roughed up' Prada L'Eau Ambree (insert your own accent):





Ramon Monegal Ambra di Luna

Notes: amber, labdanum, Egyptian jasmine, castoreum, sandalwood

Then last year I discovered yet more prime WAVs: Aroma M's animalic amber Geisha Noire and By Kilian's Amber Oud. Thanks to Undina for the tip off about the By Kilian via her review (from a year ago today!).

Aroma M Geisha Noire

Notes: amber, sandalwood, tonka bean

By Kilian Amber Oud

Notes: amber, oud, bay leaf, cedarwood, vanilla

Of the two, Geisha Noire is the furrier and loucher, and though I didn't review it either, I made reference to my growing attachment to Geisha Noire as a gig-going scent in this rag bag of a post that is also about old books, a dishwasher, and my ongoing battle with eczema. Ooh, leitmotif Louise makes a cameo appearance in it - that was the last time we met, in fact. And I did at least describe Geisha Noire as a 'smouldering, furrily sensuous, ceremonial cupcake of a scent'. Geisha Noire is more sensual and sweeter than Amber Oud. Crucially, it oozes mystery.

Val (who also gave me a mini-bottle of Ambra di Luna she inexplicably didn't need!) has kindly been keeping me topped up with samples and decants of Geisha Noire. But just when I was limbering up to possibly buying my own bottle - eminently desirable on account of the decorative Japanese paper alone! - a sample of Immortal Beloved arrived. Immortal Beloved is the latest release from House of Cherry Bomb, a creative collaboration between Brooklyn-based independent perfumers Maria McElroy of the aforementioned Aroma M and Alexis Karl of Scent by Alexis. And now all bets are off as to which way my cash will fall...Though it goes without saying that owing to my chronic SABLE (Stash Above and Beyond Life Expectancy) situation, I am trying to resist all additional purchases until some of the extant bottles are either used up or go rogue on me, which can only be a question of (not very much) time.


Truffle savaging the bag, eager to access its contents

And never mind the fact that I am smitten with Immortal Beloved, my trusty familiar has clearly marked it out as Her Favourite Perfume Yet. Readers may remember that I featured Truffle's fetishistic reaction to perfume packages in my recent Winter Special post about her, in which she was pictured nuzzling a FedEx parcel sent by Undina. I also showed her mouthhandling the little drawstring bag containing the vials of edp and oil of Immortal Beloved. A feat I filed under Agility, whilst noting that it could equally sit with (Dis)-obedience and Fetishes.

But what I omitted to mention was that not long afterwards I caught Truffle lasciviously licking the bag, which is an absolute first where any possession of mine is concerned. From which I take it that she really, really thinks this is the cat's pyjamas - or 'peignoir' perhaps, to coin a more suitably slinky phrase. Eyeballing that note list, there is a lot going on in Immortal Beloved, but after a surprising start, it settles into WAV-ish territory.




Immortal Beloved

Notes: tobacco blossom, lily-of-the-valley, henna, ambergris, labdanum, vanilla, agarwood, beeswax

Yes, when I applied Immortal Beloved, my first thought was of similarities to Serge Lutens Eau Froide...with its frankincense / lemon accord; that is too extreme a comparison, but it's all I've got! At this stage I wouldn't class Immortal Beloved as an oriental, or any kind of furry animal. It is most unusual and reads on my skin as a soapy, fresh and prickly thing I am going to call incense - which I know sounds like an oxymoron, given the more immediate association of incense with death. But that impression is fleeting in any event, and must be due to some playful alchemy between the LOTV and tobacco blossom. Or even the henna listed in the notes, to which in my perplexed state I have had retrospective course! I have no idea how any of those smell, mind, apart from the LOTV, though it is not quite itself here, conveying a spring-like backdrop rather than a marked muguet scent per se.





When Immortal Beloved reaches its cruising altitude it wears incredibly close to the skin - it is far and away the most delicate and 'barely there' of all the WAV perfumes featured in this post. A WAV-wisp of a scent no less, which you really wouldn't expect from the notes. It's an immemorial murmur like old Tennyson and his bees, which figures, as there is of course beeswax in it. Oops, my bad - it's the elms that are immemorial!

"The moans of doves in immemorial elms,
And murmuring of innumerable bees."

Strange to relate, Immortal Beloved melds with my skin so completely that it feels as though it was telepathically tailormade. Maybe that is why Truffle is so taken with it - as her besotted owner, I like to think she loves me - or any olfactory associations with me - back, hehe. Though perhaps she is merely high on tobacco blossom. ;)

Thinking of the HOCB name, funnily enough one of The Monochrome Set's members used to play in a football team called The Cherry Bombers, named after their record label at the time, Cherry Red. The Cherry Bombers were pitted against a team of jocks from the BBC, including John Peel. Perhaps the Beeb team should have worked 'satsuma' into their name somehow.


Source: Wikimedia Commons


And I note on Wikipedia that a cherry bomb is in fact an 'approximately spherical exploding firework', also known as a 'bangarang', which sounds like an 80s pop group of ill repute.

Also - and this is timely given that it was Shrove Tuesday only yesterday! - "during an episode of The Simpsons entitled 'The Crepes of Wrath', Bart discovers an old cherry bomb among his things and proceeds to ignite and flush it down a toilet at school, resulting in his deportation to a foreign exchange program in rural France."

In short, I can highly recommend a walk on the WAV side. And this compilation of 'WAV files' is by no means exhaustive, so please mention any further furry faves in the comments!



Sunday, 2 October 2016

Moomin for a day: Pia and Nick's Smelly Cakey - and a bit rainy - Perfume Meet in London: 1.10.16

I didn't make last year's Smelly Cakey Perfume Meet, and sadly missed all the amusing messing about with Bogue Profumo fencing masks, though I could probably fashion something not too dissimilar by slicing off a bit of the wasp's nest in the loft and painting it white. But as we always say, it is all about the people, not the props, and when this years SCPM was announced (not to be confused with Supply Chain Process Management, though there was a bit of that along the way, actually), I signed up with alacrity.

And so it was that the alarm woke me at 6am yesterday, and I staggered downstairs dazed and incredulous that it could be so early and still so dark. From the comfort of her favourite spot on the sofa, Truffle shot me a look of baleful suspicion. I must be up to no good to be moving around with such purpose at this ungodly hour. Then the time-honoured tradition of a last minute outfit crisis before an event, promptly followed by forgetting to bring at least three items, didn't disappoint this year. All the bedroooms were laid waste with discarded ensembles, rejected in turn for being too evening-y, too normcore, too 'Oh God, are those jeans actually acid washed?!!', too constricting / chafing / miscellaneously uncomfortable, too synthetically sweat-inducing, too clashing, too low cut, too potentially warm in a retail environment, too short, too likely to let in water, and too 'trying too hard and fatally failing to look like the cool urban socialite' I am not.

So in keeping with my designated membership of the Moomin subgroup, I settled on a tunic dress from Finland - a charity shop steal at £3.99 - teamed with 16 year old oxblood Camper boots, whose soles are showing surprisingly little signs of imploding despite their advanced age. Oh, and the forgotten items: a handful of empty vials for spontaneous sample making, my Oyster card, a hair brush, a change of top (my back was already running with sweat before I even got to the station!), and a tube of Lovehearts for those moments when only sherbert and a gnomic romantic banality will do.


Pia and Val


I spent most of the journey down listening to the repeated clunk of the toilet door slamming open and shut every time the train stopped at a station, and de-pilling the back of my quilted Hobbs coat. How long had I been walking around with dozens of tiny white puffs of padding making a run for it, like micro-vapour trails from a jet pack?!?

Twice during the trip, a Japanese lady chatted to me while waiting to use the wayward WC. She seemed genuinely disturbed at the time it was taking to get to London from Crewe (three hours). I did my best to 'express' empathy with my comment that it was 'not exactly a bullet train, to be fair.'

Val (CQ Sperrer) was waiting for me at Euston with an emergency comb she had just bought for me, the little duck, and shortly afterwards we rendez-vous'ed with Pia, one of our trusty duo of organisers. The startling coincidence of their matching outerwear and red rucksacks warranted the first photo call of the day.

Fenwick: Ruth Mastenbroek

Our first stop was Fenwick, a store chain I had never visited in my life till last weekend, when I ventured into one in Colchester, on a doomed mission to buy a bottle of water. After a cursory and equally fruitless rummage in the toy department for a small, tasteful toy chameleon (for reasons too obscure to trouble you with) - chameleons of any kind were conspicuously absent, or maybe they had temporarily morphed into teddies? - I walked straight through the ground floor and crossed the street to M & S instead. So imagine my surprise to find myself in yet another branch of Fenwick, a mere week later.

We kicked off our perfume itinerary with a talk 'in the round' by Ruth Mastenbroek. I knew some of her work already, but hearing about the inspiration for her previous scents - and the reason why she creates perfume at all (one of those ineffable urges for self-expression) - really brought her range to life. Well, in truth I didn't catch everything in Ruth's talk - she was softly spoken, and it was tricky with some of us being behind her, but I did glean that Amorosa came about as a result of Ruth's search for a house in Italy; with that scent she sought to capture the essence or quiddity of the area, in terms of its history, terrain, culture etc.


Ruth Mastenbroek, Nick, Suzy, Rachael, Garfield, and Liz Moores


We sniffed a mixture of finished perfumes and materials they contained eg Javanol (an intense sandalwood) and cistus oil. I was especially drawn to her most recent release, Oxford, a unisex perfume which speaks to her memories of a somewhat sybaritic time at Oxford university, where Ruth studied chemistry, punted down the Isis, smoked Gitanes, and by inference only just got her assignments in under the wire. Oxford the scent includes notes of amber and cistus and other things I have sadly not recorded, though the overall impression to my nose was more of a bracing citrus composition akin to Blenheim Bouquet. I have yet to wear Oxford on skin though, and may only have smelt the top notes.

Ruth has another perfume coming out next year: a feminine with a masculine edge - two male perfumers to whom she showed it have said they would wear it - but that is all we know at this point!


Freddie, Val and Rachael probably checking Facebook


Lalique

After the talk in Fenwick, our party divided into its two subgroups, like trains at Three Bridges. We Moomins stopped by the recently opened premises of Lalique in Burlington Arcade...so recent that - never mind the exquisite crystalware, perfume and humongous floral arrangements - I got immense pleasure simply from inhaling the sublime new carpet smell!

We were ushered into a compact but bijou upstairs room, lined with Lalique vases and ornaments and festooned with what I took to be a mixture of mostly hydrangeas and delphiniums, but please don't quote me on that. Our host, Lalique's UK Director, Frederick Fischer, was absolutely charming. He apologised for the overpowering scent of the flowers, which he had allegedly been trying to tone down before our arrival - I am not sure he mentioned how exactly. ;)




For the next 20 minutes or so, in a captivating French accent, we were treated to a fascinating and detailed account of the history of the Lalique brand and the life of its founder René Lalique: how he started out as an apprentice jeweller, inventing the category of costume jewellery for theatrical productions at the turn of the 20th century. This was bold, chunky and impactful from a distance - think 'tiara with a snake'. Gradually, Lalique went on to win commissions to design brand-specific glass perfume bottles for iconic houses like Coty, Guerlain and Nina Ricci. Branded perfume bottles were a quite new presentational format, as scent had previously been sold in generic apothecary bottles and decanted into the customer's own atomiser. In the early 1990s, with the business now managed by René Lalique's grand-daughter, Marie-Claude, the brand ventured into fragrances under its own name.

Frederick let us sample several scents from the line, all of which I liked, in particular the floral Lalique de Lalique from 1992. (If you are curious, check out this beautifully nuanced review by Kevin of Now Smell This.) Frederick also demonstrated a particularly generous technique for spraying the blotters in a fan shape from a distance, which he had learned from Roja Dove, who coincidentally has a shop in the same arcade. This method bypasses the alcoholic top note you get when perfume is sprayed directly on a scent strip from close range, though you could of course just wait a bit. I sense that this 'nozzle-happy' school of spraying blotters may also go some way to explaining the high price point of the Roja Dove portfolio. I was also encouraged to have confirmed that directly sniffing the nozzle of a tester bottle - a favourite sampling method of mine, that cuts out the middleman of paper - gives you as good an idea of how a perfume smells as any, for some of the juice will have crystallised around the atomiser top.






Frederick also shared with us the rather sweet story of how his mother had managed a perfumery store in Paris when he was a little boy, and brought home miniature bottles, kindling a lasting passion for fragrance in her son at an early age.

At the end of our visit, we were treated to goody bags of samples and a glass of champagne, which owing to our military schedule we had to knock back in five minutes flat - or do I mean 'five minutes pétillant'?! Anyway, for an old lush like me that was no bother at all. On the way out I photographed a hobnail Lalique vase (see the top of the post) that bore an uncanny resemblance to my antique sherry glass below. I sense I might have been doing Frederick a service by minesweeping some of the blowsy Triffid blooms, but desisted.




By Kilian

I also resisted the very real urge to pop into the Roja Dove store, and drop £275 on an 'incredibly masculine, self-assured chypre' for the highly successful Russian Oligarch in my life, and dutifully went instead with my Moomin group to the next stop, By Kilian. Here we were made welcome by the engaging and bubbly Davina, who looked ever so slightly like an upmarket jewel thief or a magician's assistant in her monochrome outfit of white blouse and black gloves. By Kilian is another brand noted for its luxury positioning. I was familiar with the refillable lacquered black box-style of packaging, but was now introduced to the giant decanter bottle, which will set you back somewhere along the spectrum of £2100 - £5000. Readers, I am not on that spectrum, and even if I had the funds to blow on such an outsize thing, struggle to use up a 50ml bottle. However, for someone who loves one particular scent it could well be a case that buying in bulk is the economically sound way to go. Plus you do get to choose your own top and tassle! Though as with Ford cars, it seemed hard to imagine any other colour apart from black. So, you know, that degree of customisation counts for a lot.




Of interest to me (academically at least!) in this new era I am entering of having intolerant, allergic skin, you can additionally buy accessories with novel perfume delivery mechanisms as opposed to spraying on your own skin. In addition to four candles, none of which are now scented with the main fine fragrance line, so as not to debase it with a more functional take in a candle - you can buy perfumed jewellery such as earrings and cufflinks, which incorporate a cunningly concealed ceramic compartment that you spray with your chosen scent - and get this, there is also a tassle with a little trunk concealed within its fibres, similarly containing a perfumed core. Apparently Kilian Hennessey pops them in his wardrobe between his suits, if you needed any further persuasion. ;)




During our time in store we tried an interesting clutch of By Kilian scents, including one which smelt insufficiently of 'weed' for my liking though it was meant to evoke it(!) (Smoke for the Soul), and one that smelt perfectly sufficiently of vodka and tonic (Vodka on the Rocks). A firm favourite with most of our Moomins was Single Malt, featuring notes of whisky, plum and tobacco. It reminded me a bit of Liaisons Dangereuses, but happily lacks the latter's additional coconut note that turned that one into a headache-fest no-no for me. I am fine with coconut in Beyond Love (bewitched review here), and have recently been smitten with Amber Oud, thanks to Undina's compelling description and subsequent enabling. Blotters of that one were also circulated, and I was able to blag a sample, hurrah!


Davina holding a candle to Kirk and Val


Fortnum & Mason

Before our next formal stop at Miller Harris in Monmouth Street, a ragged gaggle of us wandered into Fortnum & Mason, fired up by the 'runaway' desire Val had instilled in us to smell Galop d'Hermès.  Galop proved as elusive as the fire-resistant toy chameleon, but we whiled away an interesting - and at times deeply disturbing - ten minutes in the perfume hall, focusing mainly on that ne plus ultra of 'you could put your eye out with that' fragrance ranges, Xerjoff (which Rachael persisted in calling 'Jerk Off'), and Beaufort London, with which Freddie was comprehensively and frighteningly anointed. Of particular note is Symposium by Xerjoff - I have no idea what it smelt like, but check out the bottle decoration!, which would not look out of place in a Clive Christian kitchen worktop, whose perfume range coincidentally was on an adjacent wall. ;)





The highlight of the flying visit to Fortnum & Mason for me has to be the trip to the Ladies' Powder Room - for the obvious reason you might infer, but also on account of the sumptuous fittings - mushroom grey walls accessorised by ornate gilt mirrors. I would have taken a photograph, but it was a high traffic area and I didn't want to hold the group up, so am taking the liberty (no, wait, that's a different store!) of pinching a snap from the Porcelain Press, which appears to be a dormant blog on rest rooms the world over.




Miller Harris

Starting to feel a bit peckish, I grabbed a bag of upmarket cheesy wotsits (or Organic Chickpea Puffs, to dignify them with their proper name) before the Miller Harris visit. Well, a combination of a store visit in the classic sense of going inside the shop, and a general milling around by people on the street outside. There were about 17 of us after all, for our two groups had coalesced again by this stage.




One of the friendly sales staff in Miller Harris invited us to complete short questionnaires to determine the fragrance styles which would most complement our lifestyle. As a market researcher, obviously I had to have a go at this, given that it was not a formal enough exercise to have exclusions to that effect. But as a semi-unemployed / -retired person, I struggled rather with the questions on fragrances worn during 'the working week' versus 'on days off' - partly because I work from home when I work at all - so the whole principle of office-appropriate scents goes right out the window for starters. I ended up with recommendations of Etui Noir, Feuilles de Tabac and Poirier du Soir, but was actually more drawn to the rose scents in the line, the citrus duo of Tangerine Vert and Le Petit Grain, and that glorious 'eau de Jane Birkin's armpit hair' that is L'Air de Rien, as I may or may not have quite called it at the time of my review. Yeah, maybe I should give up the day job.

I took this opportunity to inquire about the current status of the line Lyn Harris created for M & S, which I have previously championed on Bonkers, but was told it was a limited edition venture that is no longer extant. Miller Harris also generously gave us all a goody bag of samples, including a new one on me, which I look forward to trying - Cassis de Feuille. I would also like to give special mention to the gorgeous backdrop of wallpaper.




Bloom Perfumery

Our final stop was Bloom in Covent Garden, which I had visited before, but not since they rearranged their stock along 'note' lines rather than by brand. In principle I thought that was a rather clever idea, but I found it more confusing than not in reality, partly because it is hard to pigeonhole perfumes in that way, and partly because it made for a rather jumbled looking display both in and out of the cabinets.

Freddie and Tara deep in conversation

But also, to be honest, I was a bit tired by this stage and had almost shot my sniffing bolt, which in the wake of my recent skin woes hasn't been very lively of late at the best of times. The highlight of the visit was without doubt chatting to Louise Woollam of Get Lippie about her horrible brush with parosmia, which thankfully is a lot better now. I had a sniff of Paradox, the perfume Sarah McCartney of 4160 Tuesdays created for her, which managed to combine the few elements Louise was still able to smell and enjoy when the condition was at its most acute. Louise also didn't mind me hitting her up for eczema-friendly skincare tips, for which I am grateful.


Nafia, Lisa, Rachael, Suzy, Pia and Phoebe


After Bloom, some of the group - Moomins and Flamingos now thoroughly mixed up at this point ;) - peeled off to go for the Cakey part of the event, while others went straight home. Meanwhile, the Monochrome Set fan / perfumista crossover contingent(!), comprising Val, Rachael and me, holed up in a cafe for an hour to catch up on news, where we encountered our longest tea bag ever. It was positively sock-like. Why, I have even seen shorter Christmas stockings.




And before I knew it I was speeding home on a much faster Virgin train - no sign of the Japanese lady this time, who I feel sure would have been happy with the journey times of that service. I found myself sandwiched between two area managers of the St John's Ambulance on their way back to Merseyside from a conference, so I knew I was in safe hands should my cereal bar happen to go down the wrong way. One of the ladies was additionally a vicar, so even if they fluffed the Heimlich manoeuvre I could at least be sure my soul was in good hands.

And speaking of good hands, it remains to thank Pia and Nick very much indeed for organising such an eventful and enjoyable day. What I would call 'episodic' and ex-Mr Bonkers would have called 'sodding epic', in a good way. And we didn't even get sodden as such, though it rained on and off, as billed. It was great too to meet old friends again and meet others for the first time - you know who you are... Did I say it was more about the people than the props? But props - and perfume - there were in abundance, which will take some time to explore / get through. Here is Truffle, attempting to photobomb the substantial haul from the day, which included Welsh Cakes, and of course my emergency comb, which (unless I lose it) I expect will outlast everything else...