Showing posts with label Nick Gilbert. Show all posts
Showing posts with label Nick Gilbert. Show all posts

Sunday, 2 October 2016

Moomin for a day: Pia and Nick's Smelly Cakey - and a bit rainy - Perfume Meet in London: 1.10.16

I didn't make last year's Smelly Cakey Perfume Meet, and sadly missed all the amusing messing about with Bogue Profumo fencing masks, though I could probably fashion something not too dissimilar by slicing off a bit of the wasp's nest in the loft and painting it white. But as we always say, it is all about the people, not the props, and when this years SCPM was announced (not to be confused with Supply Chain Process Management, though there was a bit of that along the way, actually), I signed up with alacrity.

And so it was that the alarm woke me at 6am yesterday, and I staggered downstairs dazed and incredulous that it could be so early and still so dark. From the comfort of her favourite spot on the sofa, Truffle shot me a look of baleful suspicion. I must be up to no good to be moving around with such purpose at this ungodly hour. Then the time-honoured tradition of a last minute outfit crisis before an event, promptly followed by forgetting to bring at least three items, didn't disappoint this year. All the bedroooms were laid waste with discarded ensembles, rejected in turn for being too evening-y, too normcore, too 'Oh God, are those jeans actually acid washed?!!', too constricting / chafing / miscellaneously uncomfortable, too synthetically sweat-inducing, too clashing, too low cut, too potentially warm in a retail environment, too short, too likely to let in water, and too 'trying too hard and fatally failing to look like the cool urban socialite' I am not.

So in keeping with my designated membership of the Moomin subgroup, I settled on a tunic dress from Finland - a charity shop steal at £3.99 - teamed with 16 year old oxblood Camper boots, whose soles are showing surprisingly little signs of imploding despite their advanced age. Oh, and the forgotten items: a handful of empty vials for spontaneous sample making, my Oyster card, a hair brush, a change of top (my back was already running with sweat before I even got to the station!), and a tube of Lovehearts for those moments when only sherbert and a gnomic romantic banality will do.


Pia and Val


I spent most of the journey down listening to the repeated clunk of the toilet door slamming open and shut every time the train stopped at a station, and de-pilling the back of my quilted Hobbs coat. How long had I been walking around with dozens of tiny white puffs of padding making a run for it, like micro-vapour trails from a jet pack?!?

Twice during the trip, a Japanese lady chatted to me while waiting to use the wayward WC. She seemed genuinely disturbed at the time it was taking to get to London from Crewe (three hours). I did my best to 'express' empathy with my comment that it was 'not exactly a bullet train, to be fair.'

Val (CQ Sperrer) was waiting for me at Euston with an emergency comb she had just bought for me, the little duck, and shortly afterwards we rendez-vous'ed with Pia, one of our trusty duo of organisers. The startling coincidence of their matching outerwear and red rucksacks warranted the first photo call of the day.

Fenwick: Ruth Mastenbroek

Our first stop was Fenwick, a store chain I had never visited in my life till last weekend, when I ventured into one in Colchester, on a doomed mission to buy a bottle of water. After a cursory and equally fruitless rummage in the toy department for a small, tasteful toy chameleon (for reasons too obscure to trouble you with) - chameleons of any kind were conspicuously absent, or maybe they had temporarily morphed into teddies? - I walked straight through the ground floor and crossed the street to M & S instead. So imagine my surprise to find myself in yet another branch of Fenwick, a mere week later.

We kicked off our perfume itinerary with a talk 'in the round' by Ruth Mastenbroek. I knew some of her work already, but hearing about the inspiration for her previous scents - and the reason why she creates perfume at all (one of those ineffable urges for self-expression) - really brought her range to life. Well, in truth I didn't catch everything in Ruth's talk - she was softly spoken, and it was tricky with some of us being behind her, but I did glean that Amorosa came about as a result of Ruth's search for a house in Italy; with that scent she sought to capture the essence or quiddity of the area, in terms of its history, terrain, culture etc.


Ruth Mastenbroek, Nick, Suzy, Rachael, Garfield, and Liz Moores


We sniffed a mixture of finished perfumes and materials they contained eg Javanol (an intense sandalwood) and cistus oil. I was especially drawn to her most recent release, Oxford, a unisex perfume which speaks to her memories of a somewhat sybaritic time at Oxford university, where Ruth studied chemistry, punted down the Isis, smoked Gitanes, and by inference only just got her assignments in under the wire. Oxford the scent includes notes of amber and cistus and other things I have sadly not recorded, though the overall impression to my nose was more of a bracing citrus composition akin to Blenheim Bouquet. I have yet to wear Oxford on skin though, and may only have smelt the top notes.

Ruth has another perfume coming out next year: a feminine with a masculine edge - two male perfumers to whom she showed it have said they would wear it - but that is all we know at this point!


Freddie, Val and Rachael probably checking Facebook


Lalique

After the talk in Fenwick, our party divided into its two subgroups, like trains at Three Bridges. We Moomins stopped by the recently opened premises of Lalique in Burlington Arcade...so recent that - never mind the exquisite crystalware, perfume and humongous floral arrangements - I got immense pleasure simply from inhaling the sublime new carpet smell!

We were ushered into a compact but bijou upstairs room, lined with Lalique vases and ornaments and festooned with what I took to be a mixture of mostly hydrangeas and delphiniums, but please don't quote me on that. Our host, Lalique's UK Director, Frederick Fischer, was absolutely charming. He apologised for the overpowering scent of the flowers, which he had allegedly been trying to tone down before our arrival - I am not sure he mentioned how exactly. ;)




For the next 20 minutes or so, in a captivating French accent, we were treated to a fascinating and detailed account of the history of the Lalique brand and the life of its founder René Lalique: how he started out as an apprentice jeweller, inventing the category of costume jewellery for theatrical productions at the turn of the 20th century. This was bold, chunky and impactful from a distance - think 'tiara with a snake'. Gradually, Lalique went on to win commissions to design brand-specific glass perfume bottles for iconic houses like Coty, Guerlain and Nina Ricci. Branded perfume bottles were a quite new presentational format, as scent had previously been sold in generic apothecary bottles and decanted into the customer's own atomiser. In the early 1990s, with the business now managed by René Lalique's grand-daughter, Marie-Claude, the brand ventured into fragrances under its own name.

Frederick let us sample several scents from the line, all of which I liked, in particular the floral Lalique de Lalique from 1992. (If you are curious, check out this beautifully nuanced review by Kevin of Now Smell This.) Frederick also demonstrated a particularly generous technique for spraying the blotters in a fan shape from a distance, which he had learned from Roja Dove, who coincidentally has a shop in the same arcade. This method bypasses the alcoholic top note you get when perfume is sprayed directly on a scent strip from close range, though you could of course just wait a bit. I sense that this 'nozzle-happy' school of spraying blotters may also go some way to explaining the high price point of the Roja Dove portfolio. I was also encouraged to have confirmed that directly sniffing the nozzle of a tester bottle - a favourite sampling method of mine, that cuts out the middleman of paper - gives you as good an idea of how a perfume smells as any, for some of the juice will have crystallised around the atomiser top.






Frederick also shared with us the rather sweet story of how his mother had managed a perfumery store in Paris when he was a little boy, and brought home miniature bottles, kindling a lasting passion for fragrance in her son at an early age.

At the end of our visit, we were treated to goody bags of samples and a glass of champagne, which owing to our military schedule we had to knock back in five minutes flat - or do I mean 'five minutes pétillant'?! Anyway, for an old lush like me that was no bother at all. On the way out I photographed a hobnail Lalique vase (see the top of the post) that bore an uncanny resemblance to my antique sherry glass below. I sense I might have been doing Frederick a service by minesweeping some of the blowsy Triffid blooms, but desisted.




By Kilian

I also resisted the very real urge to pop into the Roja Dove store, and drop £275 on an 'incredibly masculine, self-assured chypre' for the highly successful Russian Oligarch in my life, and dutifully went instead with my Moomin group to the next stop, By Kilian. Here we were made welcome by the engaging and bubbly Davina, who looked ever so slightly like an upmarket jewel thief or a magician's assistant in her monochrome outfit of white blouse and black gloves. By Kilian is another brand noted for its luxury positioning. I was familiar with the refillable lacquered black box-style of packaging, but was now introduced to the giant decanter bottle, which will set you back somewhere along the spectrum of £2100 - £5000. Readers, I am not on that spectrum, and even if I had the funds to blow on such an outsize thing, struggle to use up a 50ml bottle. However, for someone who loves one particular scent it could well be a case that buying in bulk is the economically sound way to go. Plus you do get to choose your own top and tassle! Though as with Ford cars, it seemed hard to imagine any other colour apart from black. So, you know, that degree of customisation counts for a lot.




Of interest to me (academically at least!) in this new era I am entering of having intolerant, allergic skin, you can additionally buy accessories with novel perfume delivery mechanisms as opposed to spraying on your own skin. In addition to four candles, none of which are now scented with the main fine fragrance line, so as not to debase it with a more functional take in a candle - you can buy perfumed jewellery such as earrings and cufflinks, which incorporate a cunningly concealed ceramic compartment that you spray with your chosen scent - and get this, there is also a tassle with a little trunk concealed within its fibres, similarly containing a perfumed core. Apparently Kilian Hennessey pops them in his wardrobe between his suits, if you needed any further persuasion. ;)




During our time in store we tried an interesting clutch of By Kilian scents, including one which smelt insufficiently of 'weed' for my liking though it was meant to evoke it(!) (Smoke for the Soul), and one that smelt perfectly sufficiently of vodka and tonic (Vodka on the Rocks). A firm favourite with most of our Moomins was Single Malt, featuring notes of whisky, plum and tobacco. It reminded me a bit of Liaisons Dangereuses, but happily lacks the latter's additional coconut note that turned that one into a headache-fest no-no for me. I am fine with coconut in Beyond Love (bewitched review here), and have recently been smitten with Amber Oud, thanks to Undina's compelling description and subsequent enabling. Blotters of that one were also circulated, and I was able to blag a sample, hurrah!


Davina holding a candle to Kirk and Val


Fortnum & Mason

Before our next formal stop at Miller Harris in Monmouth Street, a ragged gaggle of us wandered into Fortnum & Mason, fired up by the 'runaway' desire Val had instilled in us to smell Galop d'Hermès.  Galop proved as elusive as the fire-resistant toy chameleon, but we whiled away an interesting - and at times deeply disturbing - ten minutes in the perfume hall, focusing mainly on that ne plus ultra of 'you could put your eye out with that' fragrance ranges, Xerjoff (which Rachael persisted in calling 'Jerk Off'), and Beaufort London, with which Freddie was comprehensively and frighteningly anointed. Of particular note is Symposium by Xerjoff - I have no idea what it smelt like, but check out the bottle decoration!, which would not look out of place in a Clive Christian kitchen worktop, whose perfume range coincidentally was on an adjacent wall. ;)





The highlight of the flying visit to Fortnum & Mason for me has to be the trip to the Ladies' Powder Room - for the obvious reason you might infer, but also on account of the sumptuous fittings - mushroom grey walls accessorised by ornate gilt mirrors. I would have taken a photograph, but it was a high traffic area and I didn't want to hold the group up, so am taking the liberty (no, wait, that's a different store!) of pinching a snap from the Porcelain Press, which appears to be a dormant blog on rest rooms the world over.




Miller Harris

Starting to feel a bit peckish, I grabbed a bag of upmarket cheesy wotsits (or Organic Chickpea Puffs, to dignify them with their proper name) before the Miller Harris visit. Well, a combination of a store visit in the classic sense of going inside the shop, and a general milling around by people on the street outside. There were about 17 of us after all, for our two groups had coalesced again by this stage.




One of the friendly sales staff in Miller Harris invited us to complete short questionnaires to determine the fragrance styles which would most complement our lifestyle. As a market researcher, obviously I had to have a go at this, given that it was not a formal enough exercise to have exclusions to that effect. But as a semi-unemployed / -retired person, I struggled rather with the questions on fragrances worn during 'the working week' versus 'on days off' - partly because I work from home when I work at all - so the whole principle of office-appropriate scents goes right out the window for starters. I ended up with recommendations of Etui Noir, Feuilles de Tabac and Poirier du Soir, but was actually more drawn to the rose scents in the line, the citrus duo of Tangerine Vert and Le Petit Grain, and that glorious 'eau de Jane Birkin's armpit hair' that is L'Air de Rien, as I may or may not have quite called it at the time of my review. Yeah, maybe I should give up the day job.

I took this opportunity to inquire about the current status of the line Lyn Harris created for M & S, which I have previously championed on Bonkers, but was told it was a limited edition venture that is no longer extant. Miller Harris also generously gave us all a goody bag of samples, including a new one on me, which I look forward to trying - Cassis de Feuille. I would also like to give special mention to the gorgeous backdrop of wallpaper.




Bloom Perfumery

Our final stop was Bloom in Covent Garden, which I had visited before, but not since they rearranged their stock along 'note' lines rather than by brand. In principle I thought that was a rather clever idea, but I found it more confusing than not in reality, partly because it is hard to pigeonhole perfumes in that way, and partly because it made for a rather jumbled looking display both in and out of the cabinets.

Freddie and Tara deep in conversation

But also, to be honest, I was a bit tired by this stage and had almost shot my sniffing bolt, which in the wake of my recent skin woes hasn't been very lively of late at the best of times. The highlight of the visit was without doubt chatting to Louise Woollam of Get Lippie about her horrible brush with parosmia, which thankfully is a lot better now. I had a sniff of Paradox, the perfume Sarah McCartney of 4160 Tuesdays created for her, which managed to combine the few elements Louise was still able to smell and enjoy when the condition was at its most acute. Louise also didn't mind me hitting her up for eczema-friendly skincare tips, for which I am grateful.


Nafia, Lisa, Rachael, Suzy, Pia and Phoebe


After Bloom, some of the group - Moomins and Flamingos now thoroughly mixed up at this point ;) - peeled off to go for the Cakey part of the event, while others went straight home. Meanwhile, the Monochrome Set fan / perfumista crossover contingent(!), comprising Val, Rachael and me, holed up in a cafe for an hour to catch up on news, where we encountered our longest tea bag ever. It was positively sock-like. Why, I have even seen shorter Christmas stockings.




And before I knew it I was speeding home on a much faster Virgin train - no sign of the Japanese lady this time, who I feel sure would have been happy with the journey times of that service. I found myself sandwiched between two area managers of the St John's Ambulance on their way back to Merseyside from a conference, so I knew I was in safe hands should my cereal bar happen to go down the wrong way. One of the ladies was additionally a vicar, so even if they fluffed the Heimlich manoeuvre I could at least be sure my soul was in good hands.

And speaking of good hands, it remains to thank Pia and Nick very much indeed for organising such an eventful and enjoyable day. What I would call 'episodic' and ex-Mr Bonkers would have called 'sodding epic', in a good way. And we didn't even get sodden as such, though it rained on and off, as billed. It was great too to meet old friends again and meet others for the first time - you know who you are... Did I say it was more about the people than the props? But props - and perfume - there were in abundance, which will take some time to explore / get through. Here is Truffle, attempting to photobomb the substantial haul from the day, which included Welsh Cakes, and of course my emergency comb, which (unless I lose it) I expect will outlast everything else...







Tuesday, 29 July 2014

Blistering heat with matching feet: Tara, Val and I 'stick together' on a London sniffathon

The Gang of Three at Les Senteurs ~ Photo by Callum on Val's phone
Last week saw the return to London of Val the Cookie Queen of APJ - she was over in England (which I am flattered to report she calls 'home') for a week's holiday, staying with friends in North London.  Tara hooked up with Val on both Wednesday and Thursday (her report is now up on Olfactoria's Travels!), while I joined the pair at lunchtime on Day Two for an eight hour perfumery crawl. Okay, that is rather a grand term for a visit to Penhaligon's and Les Senteurs, but Tara and Val had done a lot more crawling that morning, as you will learn.

The day started quite early for me, with only a minor clothing crisis by the standard of Val's last visit in February (the bedroom devastation scene on that occasion was captured here). It has been so hot lately that I was naturally drawn to a tiny sub-section of my wardrobe, namely my most insubstantial (while not overly revealing) outfits. This is quite a tricky combination to pull off as it turned out, 'pull off' being the operative term. In the end I went for an apricot, cream and black patterned sundress I bought in Majorca in 2007, which I had only ever worn once! I was particularly gratified to find a use at last for an...ahem...foundation garment featuring apricot coloured straps. That item of clothing has been waiting 20 years or more to come into its own, and last Thursday was the day. On the flip side, my matching cream shoes were chafing terribly before I even made it to the station, prompting an earlier than expected switch to the emergency footwear I had packed in my rucksack for just such an eventuality - a pair of black plimsolls that rather undermined the floaty tea dress look I was going for, but which were endlessly forgiving on the feet.

Piazza pitstop purveying pricey but perfect bagels

Just before the appointed time of 1.30pm, I emerged from Covent Garden tube station to find Tara and Val already outside waiting for me. After ginger hugs all round (on account of our generalised stickiness), we repaired to the nearest eaterie, an al fresco Italian restaurant in a prime spot (read 'tourist trap') on the square. Privately we were all thinking: 'Bring on the robdog prices!', but frankly no one really minded what it was going to cost, so grateful were we for shade, fluid and food, in approximately that order. Oh, and a toilet, mentioning no names... As it happens, our predictably expensive snacks were extremely good - Tara and I had the absolute non-pareil of smoked salmon and cream cheese bagels, and I have tasted a few non-pareil pretenders in my time. As it happened, Val's very generous husband treated us to lunch - and yes, it was indeed one of those 'card holder not present' scenarios. His card was actually present, but not the holder. Thanks, Val and Herr Sperrer!



Revictualled and revitalised, at my instigation we decided to track down the stand of British perfumer Tom Kosmala, whose Rose Amber Musk perfume I featured in a recent post. His address was listed as 'Apple Tree Market', which refers to a collection of stalls under cover, bang in the centre of the Covent Garden complex. We systematically walked the length and breadth of the market, but there was absolutely no sign of the man - or his stand. I checked the opening hours on my phone, in case it was 'Sunday to Tuesday' rather than 'Tuesday to Sunday', but no, this was technically a day when he should have been there. What can I say?  The man is chronically elusive, with his light-as-a-feather Google footprint and conspicuous absence on the ground. Maybe it is all part of a marketing ploy, to whip perfumistas up into a frenzy of pent up curiosity? Meanwhile, the three of us shrugged and ambled into Penhaligon's instead.



The Covent Garden branch of Penhaligon's - formerly a L'Artisan Parfumeur store which I visited two years ago almost to the day for the launch of Séville a l'aube! - is a thing of great beauty.  I am not sure I have ever set foot inside a more lovingly curated and aesthetically pleasing retail space. It has been merchandised to within an inch of its life, with exquisite attention to detail and quirky architectural motifs and artefacts at every turn.

Penhaligon's perfume bottle pendant lamps!

I could have stood there all day, gazing at the fixtures both upstairs and downstairs, a womblike subterranean cavern that serves as both office space and a customer 'lounge' where people can sit down at a long mirrored table to sample the entire range at their leisure. Fellow fumehead Nick Gilbert works for Penhaligon's of course, as their Fragrance Ambassador and Events Manager. He greeted us warmly and invited us to have a sniff of any of the recent releases we might have missed - it was Val's first trial of Tralala, for example, which is shaping up to be a full bottle lemming of mine - at this rate I might even have to make my peace with the scary doll's head. ;)



We also got to try the newest addition to the Penhaligon's stable, Bayolea. Bayolea is the colognic(?) - don't lose the 'g'! - centrepiece of Penhaligon's first ever men's grooming range. It is a reformulated classic scent from the company's archives, in which the citrus aspect has been amped up and the 'barber's shop' vibe toned down. All the products in the range are in fact scented with Bayolea, which is billed by Penhaligon's as 'zesty and invigorating'. And while the rest of the line may be aimed at men, we all agreed that Bayolea the fragrance could work just fine on a woman. It is probably worth a review in its own right once I have caught up with a sample, but while in store we sniffed it on our own and on Nick's skin, and it was variously lovely all round. On me it resembled Tauer's Cologne du Maghreb, with a similar lemon verbena brightness and herbal undertow. It really hit the spot on such a hot day.

Top notes: lemongrass, mandarin, tangerine
Heart notes: cardamom, black pepper, neroli, lavender
Base notes; cedarwood, sandalwood, musk, moss, patchouli, amber



Downstairs, we parked ourselves at the long table, catching up on the latest news and gossip on the perfume scene, such as Nick's recent trip to Paris where he got to hang out in Bertrand Duchaufour's lab - dream job or what?!

Val, Nick and Russian doll-effect Tara

A major highlight of the visit for me was a close encounter with this gorgeous French sink. Apparently the Regent Street branch of Penhaligon's boasts equally splendid sanitaryware from a venerable English manufacturer called Chadder. Well, given my keen interest in bathroom fixtures at the moment, it was an unexpected bonus, and from now on I vowed to pay more attention to this fundamental aspect of perfumery fixtures...

Me, starstruck by sanitaryware

From Penhaligon's we headed over to Nick's previous workplace, the Seymour Place branch of Les Senteurs. Liz Moore's Papillon Perfumery range had recently arrived, and was prominently displayed on a dear little perspex podium, which I signally failed to photograph.  I was too hot and bothered by this stage to do very much sniffing, though my nose was momentarily distracted by a new Creed called Vetiver Geranium, which may well appeal to my vetiver-loving teacher friend, Sheila.

Barefoot Val and no-foot Tara at Les Senteurs

The most enjoyable aspect of our visit to Les Senteurs was flopping on the regal looking sofa and chatting to Callum, the perfumery's Digital Marketing Manager. Val sprang for a bottle of the new Frédéric Malle, Eau de Magnolia, and on the spot gave Tara and me generous decants from her treasured purchase. Though not until she had (quite rightly) copiously anointed herself with the opening spray (or three). It is as beautiful a scent as I was expecting, and now that I have tried it for myself, I can wholeheartedly endorse Tara's evocative review. The comfy sofa also gave me an opportunity to discreetly attend to T's own emerging blister collection with scissors and bandage I had thought to bring along - well, she did have one angry-looking patch on her right? heel. (For anyone studying the photo above, Tara does have feet really...!)

Callum of Les Senteurs

By now, Val's coffee deficit was reaching critical levels, so we legged it round the corner to a cafe, where Tara treated us to the pick-me-up beverage of our choice - a big pot of tea in my case.  Here we chatted about life in general and got to know one another better. As is so often the way in Perfume Land, you could take our hobby away from us all and we would still have loads in common and ample foundation for a good friendship. Then it wasn't long till the first hunger pangs stirred, so we introduced Val to Roti Chai, the modern Indian restaurant round the corner, which a bunch of us had frequented on the night of Neil Chapman's talk on vanilla for Perfume Lovers London back in March. The food didn't disappoint this time round - Tara and I had the chicken curry I really rated from that earlier visit, while Val opted for a spicy dish involving chilli and paneer.

Tara at Roti Chai

Val also tipped me off about the pretty groovy Ladies toilet downstairs, and so it proved. The compact sink was by the sleekly modern brand Duravit - oh, the one at Les Senteurs was by Laufen if anyone is curious, and there was additionally an amusing sign over the toilet which I resisted the urge to feature here...;)

Generous edge for putting stuff on this Duravit sink!

In no time at all, it was the parting of the ways again and I reluctantly headed back to Stafford.  As in February, the presence of a (by now half eaten) cookie on the train home reminded me that the day's events had not all been a pleasant dream.



Well, not just a cookie, even, for between the pair of them I had taken receipt of a number of decants and samples, a tea towel (Portia, what have you started?) and a tube of Bergsalz from Austria (mountain salt). Goodness, I have just read the label and it turns out to be very ancient stuff indeed. If I looked that bright and sparkly after 150 million years buried deep in the Alps, I'd be well pleased.

So yes, a big thank you to Tara and Val, Nick and Callum for a hot, happy and fragrant day out that I will remember for a long time to come...let's do it all again soon!






Tuesday, 31 January 2012

Perfume Lovers London's Maiden Meet-Up: Nick Gilbert - A Voyage Round My Collection

Last Thursday saw the inaugural meet-up of Perfume Lovers London, a non-profit making social group for fragrance fans founded by Lila Das Gupta of Olfactory Events. "Inaugural" is rather a grand term to use perhaps, but the session was held at the New Cavendish Club off Oxford Street, a renowned private members' club which has the facilities and ambience of a gentlemen's club, but which I learn in Wiki was originally in fact for ladies only!

Well, on the evening of Nick's talk there was a respectable smattering of men at a quick eyeball, helped no doubt by the fact that Olfactory Events is associated with Basenotes. Grant Osborne was there, multi-tasking as official photographer, court (as in Twitter) reporter and wine waiter. And very nice wine it was too.

For readers not familiar with Nick on Facebook, Twitter, his own blog G & T & That, or the one he co-writes with Lila and the Candy Perfume Boy, Fragrant Reviews, Nick spent 10 years in fragrance sales at a branch of Boot's in his home town of Bristol, before landing a plum job with niche perfumery Les Senteurs in London last August, since when he hasn't looked back.

And before I get into my account of the talk proper, a word about the name of the event may be in order: "A Voyage Round My Collection". For it struck me that a lot of people in Perfume Land are on voyages of some kind at the moment: there's Olfactoria's Travels, while the byline of Bloody Frida's blog is "a perfume journey". And the Candy Perfume Boy recently wrote about "10 Things I Have Learnt On My Scented Journey". So you know, quite a few journeys all told. And of course I do a fair bit of travelling myself. But even factoring that in, the current traffic patterns are still well below American Idol levels.

Nick had set out his bottle collection on a table in the corner, and he and Lila sat in front of the imposing fireplace and adopted a sort of chat show format, with Lila in the role of host. Nick talked through each of the fragrances he had selected: how he came to find it and at what point in his life, a bit about the notes and the nose who created it, and also what associations it conjured up for him. It was a very informal affair - with interjections and questions from the floor, including a lot of ribald free assocation: "It's the citrus that keeps on giving", "it smells like a boudoir-y temple" etc, which was a source of much merriment.

So here in brief are the "stops" on Nick's tour of his collection, based on my scribbled notes, so apologies in advance for any material inaccuracies!

CK BE

Bought by Nick's mum for him at the tender age of 11, because he had seen Paula Yates describe it in glowing terms on The Big Breakfast. Comments ranged from "soapy fougere" to "freshly washed man" (which isn't actually much of a range come to think of it!), and there was speculation as to whether the formulation might have been changed since Be was launched - I remember it as being more citrus-y, but I could be wrong.

YSL M7

This was the scent which tipped Nick from regular cologne-wearer into raging perfumista. It was one of the first perfumes to feature oud, and was accompanied by a very raunchy press campaign. Whipping out his iPad, Grant stepped up to yet another role (props / special effects) and googled an example of a poster ad for M7 with a reclining male nude, whose focal point was nicely showcased, let's just say. Why was I not surprised to learn that there are 165 positive reviews of M7 on Basenotes? : - ) Okay, I jest, for it was a pretty ground-breaking scent at the time. One audience member described it as "borderline between chemist and sweet shop", and "cherry lips" (a confectionery line that may only resonate with British nationals over the age of 40) were also mentioned, but not in a bad way.

ESTEE LAUDER BEYOND PARADISE

Nick considered Beyond Paradise to be one of the best feminines to have come out at the time (2003). Created by Calice Becker, it is characterised by an accord called "Eden's Mist", after the Eden Project in Cornwall, the largest indoor rain forest in the world. For Nick, Beyond Paradise conjured up a tropical island with a waterfall (think Herbal Essences shampoo adverts), and smelt of hairspray and violets. Nicola Pozzani, the Synesthetic Provocateur who led the Le Labo workshop I attended last year (though he now has his own company, SSENSE), pointed out that Beyond Paradise was Estée Lauder's "anti-J'Adore" release, while Luca Turin describes it in Perfumes: The Guide as a "balanced abstraction" rather than a representation of a tropical flower. I wasn't too sure about it myself - I think I prefer Lalique Flora Bella as balanced abstractions go - but I could see where they were coming from.

COMME DES GARÇONS MAN 2

This was the "boudoir-y" or "sexy temple" alluded to above. Created by Mark Buxton, who is also the nose behind Le Labo's Vetiver 46, it has notes of incense, vetiver and mahogany, and if my scribbles serve me, Nick's interest in this scent arose out of his liking for the original Gucci pour Homme with its combo of incense and cedar. This was pronounced (I think by Nick) to be "smoke on the skin", and it was the perfume I chose as my free sample at the end of the night, along with the one of Escentric Molecules 01 which we all received, courtesy of Lila.

GUERLAIN HOMME

Created in 2008 by Thierry Wasser - his first scent in his role as Guerlain's in-house perfumer - Guerlain Homme reminds Nick of a holiday in Australia, specifically Bondi Beach, and marked the start of his love affair with mint. To give you an idea, he is a born again fan of FM Geranium pour Monsieur. With one or two exceptions, the general view of Guerlain Homme was favourable, not least because the mint note is not of toothpaste proportions. "It's controlled mint!" piped up Tanya from the front row. With the help of Grant's iPad, we looked at yet another raunchy ad, this time a TV spot for Guerlain Homme. It bore the tag line "For the animal in you" and starred the obligatory hunky, pec-rippling male model and a full complement of big game animals.

GUERLAIN VOL DE NUIT EXTRAIT

One of Nick's Ebay bargains, two blotters sprayed with the parfum version of this classic scent from 1933 were reverentially passed around. It was not to everyone's taste (a bit dense, a bit aldehydic, a bit dark maybe), and we agreed that you need to be in a kick ass mood to wear it, but it spoke hauntingly to us of a bygone era of glamour and formality - and who knows, maybe someone had wafted it in the very function room in which we were sitting, at some point in the last 80 years...

CHANEL NO 19 EXTRAIT

We smelt the actual bottle top of this one, and the fact that I haven't taken any notes about it except the phrase "recent formulation" says to me that there wasn't a lot of discussion on the subject. I recall it as smelling like No 19, only more so. Hey, what do I know? I'm a Poudré girl, so shoot me!

CUIR DE LANCÔME

I introduced Nick to this one, to which he kindly made reference: we did a swap when he was still in Bristol and in return I got my hands on a sizeable decant of Diptyque Eau Duelle, which has now grown into a full bottle! Nick described Cuir de Lancôme as having "plummy leather" and "powdery amber" facets, and it was news to some of us that a leather note in perfumes is created by boiling birch tar - obvious, when you know how! Nick placed Cuir as somewhere between chorizo (this is not good) and luxury leather, and I would agree. It is quite full-on and slightly rough round the edges but I do love it myself, and would have chosen it as my free sample if I didn't already own a bottle (with annoying wobbly top).

GUERLAIN SPIRITUEUSE DOUBLE VANILLE

This was a Christmas present from Nick to himself, as he is a lover of vanilla in fragrance. Now I too think of myself as a bit of a "vanilla ho", not least because my less offensive nickname at school was Vanilla Mutton, however, I realised from testing this scent that I prefer my vanille to be single - or "simple" as the French might say. Or maybe I could tolerate it at double strength, but not with boozy notes thrown into the mix. Saying that, Tara tested this the following day on skin in Harrods and it wasn't half bad on her, but on the whole I give alcohol in fragrance a wide berth - of the beverage variety, I mean, as opposite to its important carrier role.

Although it didn't figure in the talk as such, we did also chat a bit about the nature of Iso E Super in our Escentric Molecules Molecule 01 sample. Tanya (who's proving to be a bit of a wag!) described it as the aromachemical equivalent of a "woofer", because it enhanced other components in a formulation (assuming there are any, which is famously not the case with Molecule 01). Neville went a step further by dubbing it "the monosodium glutamate of perfume", which had us all in fits of laughter.

After the session, Grant topped up our glasses and we milled around, chatting to other members and inquiring about their own "scented journeys". By a strange coincidence, I found someone with the same thyroid condition as me, and we had a good old chin wag about symptoms, dosages and pill chopping tactics. It was nearly 11pm by the time the last of us rolled out of the club - and in my case, straight into KFC. (Note to self to insist on breast next time.)

So yes, a great night was had by all and thanks are due to Nick, Lila, Grant and Escentual, who stumped up some free testers. Was this "olfactory event" worth the voyage from Stafford? You bet it was, and I have already booked to come down for the next one...



Photo of the New Cavendish Club from whoseview.co.uk, photo of Eden Project from Karen Roe on Flickr, photo of leather ornament from TheWristbandit on Flickr, photo of monosodium glutamate from dltq on Flickr, other photos my own.