A random round up of perfume oddities

I am sorry that I have been gone awhile...in my flimsy defence, I have been preoccupied with recurring bouts of eye eczema - unusually for this time of year, as the main triggers are pollens of every stripe. At first I blamed a conditioner high in natural ingredients, which can be as irritating if not more so than synthetic ones, only to experience another episode a couple of weeks later despite avoiding the offending hair product, leaving me none the wiser. These flare ups are now commoner than periods of "good skin", and I am even starting to wonder if I should believe in chemtrails after all, and that planes are spraying some irritating chemicals in the atmosphere that are landing on my face, haha. At this point in my bafflement and frustration I am open to any explanation, however off the wall.

Staying with the notion of "off the wall", this post will take the form of a compilation of odd things linked to perfume that have struck me lately.

The perfume bottle that isn't

Reprising the theme of a post in 2013 on "perfume related imagery", I have another example to add to the pot, namely a dish I bought in a charity shop for £3 (see above). Does that not look like a bottle of Estee Lauder Private Collection Amber Ylang Ylang to you? Okay, a bit squarer perhaps, and without the beaten gold top. And the top it does have admittedly resembles a wan and bloodied finger, and is on the skinny side. But a definite resemblance nonetheless, I would say. Through half-closed eyes the white streaks could even be seen as representations of sillage, hehe...

Source: Boots

The perfume reviews that weren't

I did originally think I would review the latest release from Papillon Perfumery, Spell 125, as I have a fondness for the house and have covered most of the perfumes in the Papillon stable. Not quite all of the line, mind - not Anubis - but most of them. And Spell 125 is a very fine composition like its fragrant forebears, even if it is not really "me". For I have a problematic relationship with pine, and found it difficult to connect with Spell 125 on a personal level. It struck me as more of a "foresty atmosphere" rather than something you would wear to accessorise an outfit - the olfactory equivalent of the musical sleep aids found in the deepest recesses of the Calm app, some of which go by the startling name of "dronescapes". Claire of Take One Thing Off makes this very point in her own stellar post on the scent, using the term "environmental", and later alluding to Spell 125's "ascetic, modern spaciness", though I promise I had the same reaction independently. ;) She does concede that Spell 125 would nicely accessorise a yoga outfit - and act as a kind of scented "om" mantra perhaps? So that would have been the angle I would have taken, but there was absolutely no need as Claire had eloquently mined the same metaphorical seam before me. Spell 125 also reminded me of a poem I wrote when I was 11, which was published in the school magazine, although I have no copy of that or the poem itself anymore. I know it was about a crypt, and evoked the dank musty, chilly feel of the sarcophagi in that underground space where no light could get in. I remember the first two lines and that is it:

"Alabaster icy cell / This is where the spirits dwell"

Sarcophagus in St Mary's, Ingestre

I do know the poem had a meditative, dronescapey quality to it, with bonus murmuring insects outside in the churchyard and a fair few mossy flagstones, but my memory is as fuzzy as I believe the atmosphere of the poem was. So that scuppered the review as well. And the third thing to do so was the fact that while I am aware of the significance of the name "Spell 125", every time I hear it I instantly think of "Bet 365", possibly because they are a local company - and major employer in the area! - in Stoke. And that was the final nail in the coffin of the review that wasn't, and is what qualifies it as an "oddity" for inclusion in this post.

Then there is another new perfume I am not going to review, because it would dispel the mystery readers may prefer to solve for themselves. As soon as I sniffed it, I immediately thought:

"Woody soapy iris".

My next impression (before consulting the note list) was of a muted and hazy, more high end take on Bourjois Soir de Paris, which was of course a huge hit in its day. 

Top notes: Violet, Peach, Apricot and Bergamot

Middle notes: Iris, Heliotrope, Rose, Ylang-Ylang, Jasmine and Lily-of-the-Valley

Base notes: Amber, Sandalwood, Vanilla and Musk.

Soir de Paris is noticeably fruity and sweet (due to the first three notes above), and "puts out more", whereas this new fragrance is a sophisticated, understated veil. Interestingly, 11 of the 14 notes in Soir de Paris are in the new scent, though it has many more besides. But that could well explain why I went straight to the Bourjois in my mind. Below is a photo of my vintage mini (featured here), which is sadly too irrevocably gunky to be used now.

My world is not JPG

Recently I have been progressively friended on Facebook by a bunch of perfumistas, who all seem to know one another and be from The Netherlands or Belgium. I accepted the friend requests and was soon hit up with the following invitation to join a group about Jean-Paul Gautier called "mijn wereld is JPG" - at 4.04am in the morning! So many assumptions involved here: that I speak Dutch/Flemish, that I like JPG enough to wish to join a group devoted to the brand, and (most improbably of all) that I am awake and raring to respond in the middle of the night! You may well ask why I don't turn my phone off to avoid such disturbances, and that is because I drift off to sleep listening to podcasts or meditations or one of the aforementioned dronescapes and my phone is therefore still on for the rest of the night.

"Hallo, ik heb deze groep op Facebook gemaakt waarin je mogelijk bent geïnteresserd - mijn wereld is JPG"

The perfumista alarm clock

I bought a travelling alarm clock on eBay the other day, as my trusty old folding leather one was in for repair and not expected to come out alive. Even if it did - as it has to my surprise - it must be "on its last hands", and it is always handy to have a back up against the time that nobody makes them anymore, on the assumption that we all now use our phones instead. If I have a very important early start - say if I am catching a train - I will often set two devices, not being a morning person. Anyway, the clock arrived yesterday - a dinky little thing with a cheery orange leather interior - and I was almost as excited by the design of the clock itself as I was by the tissue paper in which it was wrapped, which had Penhaligon's perfume bottles all over it. How very unexpected! And what an inadvertently apt choice on the part of the sender. ;)

The Alien perfume sample

I know Omicron is about to descend on us all shortly, and possibly precipitate another lockdown, but I have managed to get out and about a bit lately, and recently met up with a Japanese friend, who kindly donated a clutch of skincare and perfume samples she had acquired as GWPs when buying larger skincare products. The one that intrigued me most was the sample of Mugler's Alien, with which I am familiar already. It was the delivery mechanism of the sample that tickled me - you pulled a cardboard tab upwards to reveal a white plastic nozzle, and then pressed the image of the bottle to deliver a spray from it - which is the closest I have seen to a sample replicating the experience of using a tester. ;) Genius really, and guaranteed to appeal to my inner little kid. 

Do you have any perfume oddities to report? Let me know in the comments.

An earthy yet unworldy scent: Bright Earth Parfums Eau de Earth review, and another milestone giveaway!

Now that I have been blogging for a while, I find myself at the receiving end of more and more emails from brands and PR companies - and sometimes directly from perfumers - notifying me of this or that launch, or special offer, or what have you. I am genuinely excited to receive news from some of my favourite brands, while tuning out to some of the others, to be honest. These emails often comprise a press release about the fragrance in tastefully lyrical 'PR-esque prose', and usually sign off by asking me to get in touch if I have any queries or would like any further information. I never have any queries or want any further information. Oh, and there may additionally be a pdf containing some high resolution pack shots that they are probably hoping I will use on the blog, but I mostly prefer to use my own, which is more in keeping with my Bonkers 'house style'.

So last month I was quite taken aback - in a good way - to receive a very personal, direct approach from the owner of Bright Earth Parfums - a 'down to earth' approach, if you will. The gentleman in question, Nicolas Fromanger, is a French national living in New York. I was immediately drawn to his surname, which is just a surplus consonant away from Fromager, or 'cheese-maker', a subject close to my heart, having worked for a dairy company and in a specialist cheese shop. I even wrote my postgraduate thesis on cheese. But I digress...Monsieur Fromanger is crucially NOT a cheesemaker, though 'manger' means eat at least. I spy the makings of a fine pun in there.

Here is the introductory email which caught my attention:

"i am French based in NYC, made a perfume 'Eau de Earth', all natural flowers scent, eau de parfum, 1 oz, built like a classic, i would like to send you a bottle, enclosed please find some photos
i just started a small ecommerce, you can find the fragrance at https://www.etsy.com/shop/brightearthparfums
please let me know where to send a bottle
you are a woman, it was made for you too!!!"

'Do I look small next to these lilies?'

Various things intrigued me about this opening gambit: the reference to the scent comprising just 'natural flowers', the blithe disregard for upper case letters, the fact that Monsieur Fromanger (hereinafter known as Nicolas, as we got quite pally, by and by) was selling perfume on Etsy, which I associate primarily with a myriad of handicrafts - it is where I found ex-Mr Bonkers a zombie sock monkey, for example! - and last but not least, the fact that he assumed that the perfume would be to my liking because I am a woman. With the email Nicolas had sent two photographs of the bottle and its box, posing alongside two different types of lily. A clue to the notes, as I later learnt...It was very much the sort of homemade photo I just said I like to use on Bonkers!, but it is unusual for the perfume brand itself to eschew the glossy hi-res shots of a typical press pack. One photo landed in my inbox on its side, while the other was upside down ;) - and the lilies did rather dominate in one picture, but still. If anything, I liked Bright Earth Parfums all the more for these minor malfunctions.

So yes, this refreshingly unslick introduction to the brand worked like a charm, and I accepted Nicolas' kind offer of a bottle, which duly arrived. Even the packaging was splendidly basic, much as I would expect to receive a used bottle I had bought on eBay or scored in a swap. There wasn't even a note inside, or a comps slip.

The box, sadly, was a disappointment. I had been enjoying the lack of obvious commercialism up to this point, but found I couldn't embrace the dark blue box, with its graphic of the earth seen from space - or specifically the sea seen from space - the photo was given to Nicolas by NASA, no less. The bold graphics put me more in mind of a cigarette packet, or a packet of playing cards - or the box containing a boy's toy or game, maybe. It just didn't compute for me as the container of a perfume bottle...

Source: pics-land.ru

Luckily, the bottle itself did look perfectly like a perfume bottle, and I rather liked its circular shape, doubtless to denote the earth again, with the swirly white overlay evoking cloud cover seen from space - or, for that matter, the spray from the sea - for the scent itself definitely has a feeling of rain or droplets of water of some kind to it, without being remotely 'aquatic', if that makes sense.

Which leads me neatly on to my experience of Eau de Earth, into which name I feel an urge to insert an apostrophe, by analogy with Eau d'Hadrien, Eau d'Italie. Eau d'Orange Verte, Eau d'Hermes or Eau d'Eden. So that was another quirky aspect to the perfume, come to think of it.

I have given Eau de Earth at least half a dozen wearings now: the first time I sprayed it I was vividly reminded of Bourjois Soir de Paris, on account of a big, sweet, heady, rather vague floral bouquet, that was decidedly retro in style. I thought I smelt violets and also picked up on a powdery cachou note. I have no sample of Soir de Paris to hand anymore, but I remember it as being a bit 'too much', almost headache-inducing, whereas Eau de Earth is way more restrained than that comparison might suggest, being tempered by what I can best describe as a 'rained on' quality, coupled with a sort of flinty, mineral aspect.

My mini of Soir de Paris, sadly no longer extant

I wrote back to Nicolas with my initial impressions, as he had expressly asked me to do. I also quizzed him about the note list (see, I do have queries after all!), which he was reluctant to divulge for fear of "copycats", though over the course of several more email exchanges he did reveal quite a lot about the composition of Eau de Earth, including the fact that it took him a full year to finetune. The main flowers are jasmine and lilies, plus some citrus, while the base is "a classic built like Guerlain, and in between the top notes, the medium and the base, I assembled a few so to hold those 3 basic levels together, and one of the hard part was to recreate the mist or spray smell of the sea, that instant pure freshness that you encounter as soon as you reach or are near the sea!!!"

So I was right about the 'watery' aspect...

Nicolas then suggested I spray Eau de Earth on a piece of paper or card, leaving it in a room where I would walk past it often, to see how it attracted my attention and whether I spotted anything new or different about the scent when appreciated on a different medium to skin, and in a more ambient way. So I wrote back, accepting this challenge:

"I will try that wafting trick to see what happens. Your spray smell of the sea could be what I mean by the 'flinty' / 'mineral' aspect."

Well, I had a good go at this, leaving a folded sheet of paper liberally spritzed with Eau de Earth on the edge of the dining room table, and wedging another piece of paper in a drawer in one of the bedrooms, but I can't truthfully say I noticed anything very much - I really had to lean in to catch a whiff, and it was broadly the same as on skin. And this despite Nicolas' assurance that:

"It is an aerial perfume, it has the ability to spread himself thin into the air and expand to reach for attention and capture it!!!"

Well, I cannot confirm the aerial aspect, but the watery one for sure, and both perfume and creator had certainly captured my attention!

On the next wearing, I was hit right between the nostrils - would that be the septum, maybe? - by a resemblance to Guerlain Apres L'Ondee. There was the same olde worlde, wistful, powdery yet watery feel to it. I was still getting (as it turned out) phantom violet, though wondered if it might be iris. Anyway, the Apres L'Ondee analogy really stuck in my brain, and now that I have worn the two scents side by side about four times, I am more than ever convinced of the resemblance. Eau de Earth is more of a 'regular floral' and less offbeat and anisic than Apres L'Ondee, but the distinction between them is much more blurred when it comes to the perfumes' respective drydowns, and they both have a spookily similar 'atmosphere'. I immediately emailed Nicolas with this latest impression.

It seems my nose was on the money this time, for Nicolas wrote back and said that Apres L'Ondee was "one of the perfumes I deconstructed in order to put together later different parts of different perfumes for a new one!" He asked if I could spot Chanel No 19 for the green accord or Hermes (unspecified) for the citrus combination. I now think the No 19 connection might explain the bee in my bonnet about a violet/iris facet. But Eau de Earth isn't terribly citrusy on me at any point. And I was not able to pick out any Herbes de Provence or cistus, although they are all in there too apparently.

Anyway, so far, so very interesting, especially given the fact that the perfume contains no aromachemicals, only the flowers themselves and alcohol. As for how exactly the flowers have been processed, I don't know enough about it to speculate, though assume some combination of essential oils, absolutes, concretes, tinctures etc.

Source: parfumo.net

In one of his later emails, Nicolas reveals more about the idea for Eau de Earth - it was inspired by a chance find in a bazaar in Egypt of a little bottle of perfume which was "very much the smell of the Earth after it rained...that scent could remind you of Apres L'Ondee, because it is one of the closest perfumes that gives you that rainy feeling..."

Importantly, however, Nicolas is trying to break away from the melancholy vibe of Apres L'Ondee:

"it is ephemeral, like catching a glimpse of something that you long for! let say a pang, but with joy! and that is what the Earth is for me!!!"

I will be honest, for me - because of the major similarity with Apres L'Ondee that I just can't get out of my head now - Eau de Earth is more melancholic than not, but that is no bad thing in my book. A 30ml bottle of an all-natural perfume that smells like a Guerlain classic and is selling on Etsy for just £18.27! That sounds like a bargain to me.

The perfume is only available in the USA at this time, though the brand would like to find outlets in Europe.

NOT the Bright Earth bottle ~ Source: polyvore

Oh, and I note that Bright Earth Parfums is going for a more 'earthy' (as in 'raunchy'!) positioning on Etsy, describing it as a LOVE ELIXIR (I see we have abandoned the lower case now!), that is "mysterious and enchanting" and liable to "take you where no women has been before!"

So the packaging and Etsy copy - which is its only sales presence at the moment I gather - are a bit cheap and cheerful / cheesy to my mind, but if you can see past that the perfume itself is quite lovely, in that wistful, attenuated, mournful kind of way.

Finally, I thought that Eau de Earth might be a good - and very rare ;) - scent to feature as a giveaway to mark Bonkers reaching one million page views. I am really busy with work at the moment, so will leave the draw open till midnight GMT on 22nd May. If you would like to be entered in the draw to receive a decant of this (men may also apply!), just leave a comment, explaining why you like the sound of Eau de Earth. I don't wish to overplay the Apres L'Ondee similarity either - for as the scent does draw on elements from a range of other classics, you may well get something else again. NB I don't mind posting to the USA and Canada, using the standard wily ruses to fox the customs officials, but obviously I can't guarantee the perfume's safe passage.