Showing posts with label L'Ombre Fauve. Show all posts
Showing posts with label L'Ombre Fauve. Show all posts

Wednesday, 22 February 2017

Super furry animals and the cat's peignoir (including a mini-review of House of Cherry Bomb Immortal Beloved)

Source: Poshmark
Undina's recent 'month of roses' project - in which I have greatly enjoyed participating, even if I did fall off the wagon a few times by testing samples that had nothing to do with the romantic topic in hand - reminded me that 'roses with a twist' are one of my top two favourite fragrance styles. I'll call them 'rosientals', as the scents I like best tend to be a subset of floral orientals. Which is also why I found the task of looking for a rose perfume in that vein for my friend Jessica so rewarding, even if we never came up with a definitive contender in the end.

And my top category of perfumes - or Holy Grail genre, if you will - is those faintly animalic woody orientals that connote furriness and intimations of what a male friend of mine persists in calling 'rude business'. Or 'intimations of intimate business', even. My prim father's slightly more opaque term for this was 'filthy slop'. Now for reasons of semantic sensitivity I am reluctant to talk about my 'louche perfume j*****' - obviously I am more sheepish about the actual journey than the louche bit (eek, it slipped out!) - but you may be interested to learn that there has in fact been one.

My first introduction to the 'WAV-style' of fragrance (Woody-Amber-Vanilla - with or without patchouli) was probably PG L'Ombre Fauve, or Bestial Shadow, as it is amusingly known in English.

PG L'Ombre Fauve

Notes: woods, incense, amber, musk, patchouli

Now L'Ombre Fauve is wonderfully hoochy, but the patchouli lends a rough edge to the scent going in. I don't mean hoochy in a Hooters way exactly, but the opening is certainly not refined. It's earthy and ragged and a bit clod- - as in sod- - hopping. I never reviewed L'Ombre Fauve, because despite being such a fan of woody orientals, I find myself even more tongue-tied than usual in describing what I smell. What I can give you, if you can 'take it' (as all good mediums say), is an image of me sitting on a stool in a moodily lit tapas bar in Hamburg with my Swedish perfumista protegee Louise and several of her friends, while wearing L'Ombre Fauve. The whole party couldn't stop sniffing my wrist, having clearly succumbed to the perfume's animal magnetism, which proved more irresistible than even the dates wrapped in bacon and dainty morsels of chorizo.


Schankwirtschaft, now sadly closed. Source: Yelp

For a good while L'Ombre Fauve stood alone as the exemplar of this category. Bvlgari Black has some crossover with it in note and mood terms, but to my nose it is ultimately more (good) weird than louche. I also tried Paloma Picasso around that time, but it is a retro animalic chypre - a classy face slap with a beaver's business end.

The other scent from my early exploration to provoke a similar sensual shiver was the discontinued Damien Bash Lucifer #3. I am indebted to Louise - by now up and running on her own perfume quests! - for the introduction to this one. Uncharacteristically for me, I did manage to review Lucifer #3, but only because I was reeled in by the association between elemi, one of the key notes in the composition, and boat caulk. However, it cannot be included in 'The WAV files' proper, for it doesn't appear to contain vanilla, or any other note with a vanilla inflection...!

Damien Bash Lucifer #3

Notes: rose, jasmine, frankincense, black pepper, sandalwood, myrrh, labdanum, ylang-ylang, elemi

In these early years I also dallied with PG Felanilla and Le Labo's Labdanum 18, fellow furry numbers - quite literally in the case of Labdanum 18.

PG Felanilla

Notes: vanilla absolute, saffron, orris, banana wood, hay absolute, amber

Le Labo Labdanum 18

Notes: French labdanum, castoreum, civetta, musk, vanilla, birch resins, cinammon, patchouli, gurjan balsam, tonka bean



Source: Pinterest

Both fragrances are sultry, but these days I find the latter a tad too 'out there'. Looking at those notes, I can see why that might be - there are several ingredients that would collectively conjure a resinous and va-va-voom vanilla vibe. Labdanum 18 lacks the mysterious quality shared by L'Ombre Fauve, Lucifer #3 and Bvlgari Black, which is so key to the genre. The same could be said of Felanilla, which is from the same stable as L'Ombre Fauve, and fittingly has a barnyard quality to it.

Fast forward a fair few years to my discovery of Ramon Monegal's Ambra di Luna while visiting Jovoy in Paris with Undina in 2013. We are firmly back on terra furra with that one, and I could best describe Ambra di Luna as a 'roughed up' Prada L'Eau Ambree (insert your own accent):





Ramon Monegal Ambra di Luna

Notes: amber, labdanum, Egyptian jasmine, castoreum, sandalwood

Then last year I discovered yet more prime WAVs: Aroma M's animalic amber Geisha Noire and By Kilian's Amber Oud. Thanks to Undina for the tip off about the By Kilian via her review (from a year ago today!).

Aroma M Geisha Noire

Notes: amber, sandalwood, tonka bean

By Kilian Amber Oud

Notes: amber, oud, bay leaf, cedarwood, vanilla

Of the two, Geisha Noire is the furrier and loucher, and though I didn't review it either, I made reference to my growing attachment to Geisha Noire as a gig-going scent in this rag bag of a post that is also about old books, a dishwasher, and my ongoing battle with eczema. Ooh, leitmotif Louise makes a cameo appearance in it - that was the last time we met, in fact. And I did at least describe Geisha Noire as a 'smouldering, furrily sensuous, ceremonial cupcake of a scent'. Geisha Noire is more sensual and sweeter than Amber Oud. Crucially, it oozes mystery.

Val (who also gave me a mini-bottle of Ambra di Luna she inexplicably didn't need!) has kindly been keeping me topped up with samples and decants of Geisha Noire. But just when I was limbering up to possibly buying my own bottle - eminently desirable on account of the decorative Japanese paper alone! - a sample of Immortal Beloved arrived. Immortal Beloved is the latest release from House of Cherry Bomb, a creative collaboration between Brooklyn-based independent perfumers Maria McElroy of the aforementioned Aroma M and Alexis Karl of Scent by Alexis. And now all bets are off as to which way my cash will fall...Though it goes without saying that owing to my chronic SABLE (Stash Above and Beyond Life Expectancy) situation, I am trying to resist all additional purchases until some of the extant bottles are either used up or go rogue on me, which can only be a question of (not very much) time.


Truffle savaging the bag, eager to access its contents

And never mind the fact that I am smitten with Immortal Beloved, my trusty familiar has clearly marked it out as Her Favourite Perfume Yet. Readers may remember that I featured Truffle's fetishistic reaction to perfume packages in my recent Winter Special post about her, in which she was pictured nuzzling a FedEx parcel sent by Undina. I also showed her mouthhandling the little drawstring bag containing the vials of edp and oil of Immortal Beloved. A feat I filed under Agility, whilst noting that it could equally sit with (Dis)-obedience and Fetishes.

But what I omitted to mention was that not long afterwards I caught Truffle lasciviously licking the bag, which is an absolute first where any possession of mine is concerned. From which I take it that she really, really thinks this is the cat's pyjamas - or 'peignoir' perhaps, to coin a more suitably slinky phrase. Eyeballing that note list, there is a lot going on in Immortal Beloved, but after a surprising start, it settles into WAV-ish territory.




Immortal Beloved

Notes: tobacco blossom, lily-of-the-valley, henna, ambergris, labdanum, vanilla, agarwood, beeswax

Yes, when I applied Immortal Beloved, my first thought was of similarities to Serge Lutens Eau Froide...with its frankincense / lemon accord; that is too extreme a comparison, but it's all I've got! At this stage I wouldn't class Immortal Beloved as an oriental, or any kind of furry animal. It is most unusual and reads on my skin as a soapy, fresh and prickly thing I am going to call incense - which I know sounds like an oxymoron, given the more immediate association of incense with death. But that impression is fleeting in any event, and must be due to some playful alchemy between the LOTV and tobacco blossom. Or even the henna listed in the notes, to which in my perplexed state I have had retrospective course! I have no idea how any of those smell, mind, apart from the LOTV, though it is not quite itself here, conveying a spring-like backdrop rather than a marked muguet scent per se.





When Immortal Beloved reaches its cruising altitude it wears incredibly close to the skin - it is far and away the most delicate and 'barely there' of all the WAV perfumes featured in this post. A WAV-wisp of a scent no less, which you really wouldn't expect from the notes. It's an immemorial murmur like old Tennyson and his bees, which figures, as there is of course beeswax in it. Oops, my bad - it's the elms that are immemorial!

"The moans of doves in immemorial elms,
And murmuring of innumerable bees."

Strange to relate, Immortal Beloved melds with my skin so completely that it feels as though it was telepathically tailormade. Maybe that is why Truffle is so taken with it - as her besotted owner, I like to think she loves me - or any olfactory associations with me - back, hehe. Though perhaps she is merely high on tobacco blossom. ;)

Thinking of the HOCB name, funnily enough one of The Monochrome Set's members used to play in a football team called The Cherry Bombers, named after their record label at the time, Cherry Red. The Cherry Bombers were pitted against a team of jocks from the BBC, including John Peel. Perhaps the Beeb team should have worked 'satsuma' into their name somehow.


Source: Wikimedia Commons


And I note on Wikipedia that a cherry bomb is in fact an 'approximately spherical exploding firework', also known as a 'bangarang', which sounds like an 80s pop group of ill repute.

Also - and this is timely given that it was Shrove Tuesday only yesterday! - "during an episode of The Simpsons entitled 'The Crepes of Wrath', Bart discovers an old cherry bomb among his things and proceeds to ignite and flush it down a toilet at school, resulting in his deportation to a foreign exchange program in rural France."

In short, I can highly recommend a walk on the WAV side. And this compilation of 'WAV files' is by no means exhaustive, so please mention any further furry faves in the comments!



Tuesday, 28 February 2012

Talk By Pierre Guillaume At Les Senteurs: Learning The Specifics Of Parfumerie Générale - Part 2

Right, so where on earth do we go next after the incredible Coze licking demonstration? I could mention that there was lively debate amongst the audience as we discussed the correct English term for the type of sugar we detected in Sucre d'Ebène (the scent also featuring PG's favourite macrocyclic musk, if you recall): "Demerara", "muscovado" and just plain "brown" were three possible contenders.

Bestial scents

Or I could tell you that Pierre Guillaume referred to L'Ombre Fauve with its distinctive earthy notes of Amber 83, patchouli and musk as "liquid sex". He also described it as "very dirty" - quoting Francis Kurkdjian, and replicating the gesture more commonly seen on football terraces which FK used to describe his own creation, Cologne Pour Le Soir. And none of that is surprising really, given that the name of L'Ombre Fauve roughly translates as "bestial shadow".

So moving on swiftly on from raunch to another upcoming launch...

Corps & Âmes EDT Apaisante

There will only be one new Limited Edition scent released in the main PG line this year, a reworking of Corps & Âmes, called Corps & Âme EDT Apaisante, "apaisante" meaning "soothing" or "calming" in French. The original Corps & Âme reminds me very much of the civet cloud that is YSL Y, while the new LE - a chypre with notes of geranium, lemon verbena, jasmine sambac and a patchouli heart - had a slightly acerbic citrus / herbal opening, on card at least, and I wouldn't have said they were all that closely related. In fact I detected echoes of Guerlain Sous Le Vent (which PG said he would take as a compliment, when we were discussing our initial impressions). Then PG agreed with those who spotted a resemblance to Aromatics Elixir as the scent wore on. To give uplift to the chypre structure, the new version of Corps & Âmes will contain a linear musk called Serenolide, developed by Philip Kraft, German fragrance chemist with Givaudan.

PG's favourite scent from the Huitième Art range

"The new one!" (ie the "Polywood" blockbuster featured in Part 1).

Finding the balance between commercial success and creative freedom

PG talked about the fact that he has to strike a balance between following his muse in creative terms, producing scents that challenge and interest him personally, while ensuring that there are some more "commercial" perfumes in the mix (this is of course a relative term when applied to a niche brand). The latter can be relied upon to generate sales, including the funding of his more edgy creations such as Papyrus de Ciane, the scent that he is most proud of as a technical achievement.

Scents by other perfumers PG wishes he had created himself

- YSL M7

- Thierry Mugler Womanity (he admires its huge power of diffusion: "I think we will talk differently about it in 10 years' time")

- Lolita Lempicka au Masculin by Annick Mennardo ("she is the mistress of diffusion")

Thoughts on the fragrance market and why small doesn't equal niche

PG singled out a couple of mainstream scents which had particularly impressed him - JPG Kokorico and Terre d'Hermès - describing them as "a few pieces in an ocean of new launches". He finds the co-existence of mainstream and exclusive ranges within houses such as Tom Ford, Dior, Hermès, Chanel etc bewildering - "I am lost" - and assumes the public must be equally confused by these two-tier marketing strategies. PG also laments the fact that certain perfume brands are springing up which - on account of their small size - automatically position themselves as niche. PG doesn't feel this necessarily follows, and considers some of these ranges to be overpriced.

"That is not my version of niche. (By comparison) I am the discount of the niche!"

The PG distribution strategy and why small is beautiful

PG's distribution strategy is to limit the numbers of points of sale and grow the business slowly, as the use of distributors can lead to loss of control and dilution of the brand. This explains why, a year ago, I had been surprised to see the main PG line carried in a small independent perfumery in Holland, yet when I went back last autumn it had mysteriously vanished from the store.

How many tests does it take to develop a fragrance?

Not as many as you might think. PG cited the case of a perfume house which advertised the fact that some 500 tests/iterations had gone into the creation of one of its scents. PG puts this down to marketing spin, and gave 60 as a more typical number, while Intrigant Patchouli he got right first time!

"A good perfumer doesn't need that many tests."

Falling in love with fragrance and why "we are all reptiles on the Discovery Channel"

Actually, PG didn't actually quote this song lyric, or even the original version with "animals" in it, but he did say that the act of falling in love with a perfume is involuntary and more or less instantaneous. He explained how the process is governed by the hypothalamus in the brain and described it as "reptilian", leaning in towards the audience to emphasise his point, like a crocodile eyeing its prey. I have just googled "reptilian brain" and looks to me as though the limbic system may be more where the action is at, but I am not one to split hairs (or cut them in four, as the French say).

I interjected that we sometimes fall in love (with a perfume or a person, indeed) only to fall out of it again pretty smartly, as the scales - to stay with our reptilian theme - fall from our eyes, and we realise we made an expensive mistake...

Pierre Guillaume and Francis Kurkdjian - a whiff of bromance?

PG and Francis Kurkdjian are not exact contemporaries - PG is 35, FK 42 - and PG described their relationship as competitive but friendly. "We fight a little bit...and we go to the same place in Spain for our holidays."

It was in fact Francis Kurkdjian, who, on smelling Coze, PG's first creation, encouraged him to pursue a career in perfumery.

They also both attended the recent awards ceremony in Paris, where the order of “Chevalier des Arts et des Lettres” - an honorary title granted to those who have made outstanding contributions in the arts world - was bestowed upon five perfumers chosen from each of the main fragrance and flavour houses. (Kurkdjian had already received this award in 2009.) PG described it as an emotional occasion punctuated by episodes of horseplay and banter: Dominique Ropion took a photograph of the Minister of Culture, while Maurice Roucel amused the audience with his trademark spoonerisms.

The talk overran considerably - PG was so diligent about fielding questions that (as I later learned) he and the Les Senteurs team missed their dinner reservation. At the end of the night I saw him sitting quietly on a sofa at the back of the store and went over to say thank you and to show him the bottle of Brûlure de Rose I had bought on behalf of a friend whom I had just introduced to the scent. He stood up and kissed me on both cheeks in that gallant way the French do. The "bi-cheek bise" made my night, and it occurred to me that though I hadn't associated any particular memories with the main - supposedly "talkative" - PG fragrance line prior to the talk, I surely would now.

And my iPhone hasn't been in its cover since...

Oh, and today I realised that my phone is not the only link with the whole PG experience - he mentioned that Ambre Ceruléen was inspired by the so-called "cerulean speech" in The Devil Wears Prada, in which Miranda teases Andie about her ignorance of the precise colour of her old sweater:

"But what you don't know is that that sweater is not just blue, it's not turquoise. It's not lapis. It's actually cerulean."

Well, as it happens, I own a (distressed PVC) replica of the messenger bag worn by Andie - a gift from a friend who works in PR. It isn't blue, sadly, but I think I have enough memories of the talk to be going on with...




Photo of bestiary, reptiles and the Palais Royal from Wikimedia Commons, photo of PG bottle from basenotes.net, photo of Anne Hathaway from fabsugar.com, other photos my own