Showing posts with label option anxiety. Show all posts
Showing posts with label option anxiety. Show all posts

Wednesday, 21 June 2023

Back to brick: hardcore lessons from a kitchen makeover, and how I now identify as a tap


This too will pass..!


Goodness, well over a month has gone by since my last post...I have not had a relapse of my trapped nerves, as you might be forgiven for thinking, but rather have been consumed by a major domestic project, namely the renovation of my 30+ year old kitchen. Charitable observers have described it as "tired" - or, when feeling more generous, "vintage", or "quite atmospheric in artificial light" - while I would often apologise for it being "a bit minty". I never cared for the kitchen when I bought the house, but deferred the decision for the longest time for the twin reasons of a lack of funds and the requisite bravery, for work on this scale is hugely disruptive. A friend whom I had helped over the past few years with what you might call "a massive decluttering exercise" very kindly offered to take on the lion's share of the costs, which made the whole thing possible.


Old kitchen after the wallpaper was stripped off

It is funny looking back, as this radical venture started out with "light touch" thoughts of painting the chequerboard-style tiled splashback, wrapping the worktop, and maybe changing the cabinet doors...so I engaged the services of my local branch of The Kitchen Facelift Company, who offer a range of such services. However, after they had inspected the insides of my cupboards, it quickly became apparent that these were more than merely "tired" - exhausted, scratched, and on their last rusty hinges, more like - and realistically could not be saved. 


Appliances hogging the work surface

Then in the act of surveying the kitchen generally and poking around inside cupboards, myriad instances of dodgy wiring were uncovered, affecting both the appliances and the lighting. One particular stretch of molten cable (which had been cosying up with a central heating pipe in the joists) was pronounced by the electrician to be an imminent fire risk. All of which meant taking the wall back to brick (as the Amy Winehouse song doesn't quite go), and basically gutting the place. And thus it came about that a tentative plan to refresh the units ended up involving major electrical work as well as a new kitchen...

I was without a kitchen in the end for six weeks - and as things turned out, also without a washing machine for three, which was a further inconvenience. While undoubtedly stressful, this has also been an instructive experience - there's the management of the project itself in terms of choosing and sourcing all the different elements, and the adaptations you have to introduce to many day-to-day tasks. I have learnt lessons, and there will doubtless be more before the job is finally put to bed, and as with my bathroom renovation in 2016, I share some of them here. There is a lot of common ground indeed between the two. For anyone who has already put themselves through this process, they may ring a bell, and/or serve as a timely warning if you are about to embark on a similar venture.


Bonding before plastering

You will forcibly become a morning person

As some of you know, I am a night owl. I am the furthest thing from those A-type high achievers who accomplish a ridiculous amount between 5-9am, including a ton of work, some exercise, a meditation session, and a breakfast of overnight oats and blueberries. Left to my own devices, my wan, rumpled form is rarely vertical much before 9.30am or even later. During the course of the kitchen job, however, I have routinely had to be up and dressed (sometimes even washed!) by as early as 8am, because tradesmen are sadly larks.

Your input will be needed more than you would ever imagine

Because I am retired, I was able to be around as much as the various sets of tradesmen needed me to be, and looking back it was a mercy. There was so much more involved than merely making them drinks. I was often asked for my preference on a range of decisions I didn't even think I had a view on(!), such as where to position cupboard handles and door knobs, which cupboard was to become the integrated bin, how high the cooker hood should be, whether I wanted the wiring behind the dishwasher to be hoiked up a bit off the floor or not, whether the floorboards should go horizontally or vertically, what kind of socket covers I fancied (who knew there was even a choice?), and what material I favoured for the kitchen windowsills and splashback. I also received random and sudden requests to produce a variety of items, such as a "small flat piece of slate", a plastic bowl of specific proportions, a radiator bleed key, an Allen key to fit a small towel rail, and a 5p coin. I did ask the men how they get on if the householder is not there, and they said they would normally ring them up (though that doesn't always work with a more visual issue), whereupon the person may tell them to do what they think is best. "And how does that go?" I inquired. "Well, often it is fine where they genuinely don't mind, but occasionally they see something after it's been done and realise they don't like it that way after all." So just in case something comes up where you might have a preference, be there if you can.


Pop up sawmill on the drive

There will be Steinbeckian levels of dust

Ah, the dust...! Everyone I have ever spoken to who has had kitchen work done mentions the dust, and how much time they spent cleaning it up in between phases of the job, only for the cloud to descend again almost immediately afterwards. Even now my side path looks like the red rocks of Sedona, and does in fact remind me of a happy holiday there. The dust indoors is less welcome, and for weeks on end every single object was coated in a light patina of crud, despite multiple deep cleaning sessions. I spent six hours one day on a single room - the "high risk" dining room adjacent to the kitchen - but I might as well not have bothered, haha. So my advice would also be to surrender to the dust.



Making meals will take an eternity 

All the blog posts I had read before embarking on this project spoke of the importance of setting up a temporary kitchen, preferably well away from dust-landing range (which would have meant upstairs, which I thought might feel too weird). In the end, the utility room served as the sink and draining area for dishes, while the dining room took essential small appliances, cat food Tupperwares and ones of nuts and seeds. For as with rats and kitchen roll, I am never further than 6 feet from a container of nuts, on which I grazed on and off during the day, not least because of the sketchy access to the fridge (which remained in the kitchen, as was). Then all along the landing were bags of utensils and cookware, most of them temporarily redundant, though I did use a glass casserole dish for microwaving vegetables - a first for me! Meanwhile, the front room was rammed with yet more bags of kitchen equipment, plus the ambient food contents of the cupboards, mugs and cutlery, and items still to be installed. Every meal occasion therefore involved darting between different areas of the house to collect all the elements required to make even a cold dish like a salad. I had lots of salads. I would constantly forget where things were, then it would come to me...Oust descaler sachets...I know...under the sofa! (Okay, that wasn't part of a meal as such, but you get my drift.) It became a bit like a memory-based game show. 

Spot the tap...

Lighting is a shot in the dark

I was just about to embark on a ranty lament about the demise of incandescent and halogen bulbs (with their cosier, warmer ambience) when I realised that I had already had a similar rant as far back as my bathroom post (link above), so the problem was already with us back then. I endorse every word of my previous piece on the matter, and if anything, found that the current generation of LED lights for kitchens - whether for downlights or under pelmet lighting - are starker and brighter than ever before. Given how clinical and sterile their so-called "warm white" turned out to be, I never wish to be illuminated by anything calling itself "cool white" or - God forbid - "daylight". There is of course the fallback of squirrel cage bulbs, but they can veer too much the other way and be a bit dim, for all that they create a nice atmosphere and spark joy in themselves. I fear a genuinely warm "warm white" is a lost concept to lighting companies, and am rather missing my 30 year old halogen track lights that are in the skip outside...somewhere. I may have to go on the dark web (no pun intended) in a bid to procure some banned incandescent bulbs of yore. ;)



Research within reason (which this definitely wasn't!)

I find myself reprising yet another theme from the bathroom post, and my obsessive compulsive research disorder has clearly not improved since then, and may even have got worse! For my approach on this - and every - home improvement project is to think I have to scour the entire Internet and assess the merits of every fixture and fitting for sale anywhere in the world before making my choice, when in fact I only have to look until I find one that I like that isn't too expensive and has the correct measurements for where it is meant to go. It is a bit like thinking you have to assess the merits of every man in the world before deciding to go out with them (assuming they are willing), when you just have to get along with the one you happen to meet. So by the same token, the first handle / knob / hob / 1.5 bowl sink I saw and liked would probably have done just as well. And sometimes I did return to exactly that, because it was always there in the back of my mind as something I liked "well enough" from the off. A friend wisely told me that once I had settled on a particular item, the other possibilities would simply fall away, and I wouldn't give them a moment's thought again...and so it has proved:

That all said, shopping for items - even the humblest things - is a lot more complicated these days. There is far more choice and there are far more parameters to consider. Case in point...shelves made from scaffolding boards, which I am starting to look into. There is not just thickness and width and length and different colours of wood, but whether you want them hand sanded or machine sanded, oiled or unoiled, and with fixings that are either floating, propped or hanging(!). 


Never far from a tap image on my phone either

Hold out for what you want (assuming it exists!)

Another heading from my bathroom post...I stand by this sentiment still, for even though it may involve ludicrous amounts of research to find the obscure ideal thing you are after, you will feel it was worth the effort, and in a vanishingly small number of cases that effort is actually warranted! For example, I hankered after a tap which would be period in style, dual lever, not chrome (I fancied a change) and not have a cruciform part (the horizontal bit that looks like a straight croissant on which the levers sit) which overhangs the sink, but rather which lines up with the dimensions of the half sink. That meant a maximum width of 150mm, but almost all period-style dual lever taps are about 180mm wide, though it took weeks of looking to establish that fact, and two painstakingly packaged and returned taps. This is not a measurement that is typically included in a technical diagram online, and even when I rang up various manufacturers to ask the question, they often didn't know, and had to scurry to the warehouse to find a sample and measure it. But I got there in the end, and it felt like a real coup, as well as a market opportunity for the makers of taps - compact traditional models for small sinks. This one happens to be called "Belfast" (although the sink isn't that big, hence my dimensional conundrum). Then somewhere along the way as I was returning the reject taps I managed to write the word "Tap" in the customer name line, and Google has taken this and run with it, so that when I buy anything online now and use the address autofill facility, my name comes up as "Tap Musson". ;)


The winner!

You may not dare to use the new kitchen

I wasn't expecting this last phenomenon, though I do recognise it with birthday presents, which I often set aside and can't bring myself to use until long after I was given them. So it proved with the kitchen, which has had a working sink since 5th June, however it was only the other day that I stopped washing up in the utility. Maybe this is partly to do with force of habit - even an uncomfortable and awkward habit - a bit like the kitchen amenity equivalent of Stockholm Syndrome. I did christen the hob last Wednesday, mind, by steaming broccoli. I sense it may take me some weeks to work up to anything that spits, not least as I have yet to acquire a splashback. It may not even be legal to cook a stir fry with the current set up. ;) Meanwhile, the kettle, toaster and liquidiser are all still in the dining room, on the flimsy premise that they don't go with the kitchen now, while the microwave has been banished to the utility. So I am still operating in three rooms, haha, and it may be a while before I fully embrace the new kitchen I feel very fortunate to have acquired.


Truffle is happy to have a room back

Obligatory bowl featuring a single variety of fruit. One day I may even bake a cake! 


Appliances have yet to colonise the worktop


Finally, a big shout out to Paul and Dave of The Kitchen Facelift Company in Stoke-on-Trent, (which in my own case should perhaps be renamed: "The Kitchen Major Surgery Company"), who tackled every challenge that arose with unflappable calm and good humour - and also to Lorraine, Paul's wife, who metaphorically held my hand for the best part of a year since I first had the idea to do something to the kitchen, and who helped me through my worst episodes of option anxiety. I agree wholeheartedly with all their reviews in this link - not least the fact that Paul and Dave run on tea and biscuits, and that these are "necessary" - and I will be adding my own soon.




NB Perfume-themed posts will return! 

 





Saturday, 16 July 2011

A Radical Cure For Option Anxiety - Buy Perfume At Your Local Chemist!

In her latest post on Infatuation and Perfume, Olfacta of Olfactarama was asking readers where they are along their own perfume "trajectory". She writes - with a nifty bodice-ripping analogy to evoke the "honeymoon" phase of fumeheads' relationships with perfume: "I’m no longer swapping madly and waiting impatiently for the mailman and the UPS truck or spending too much on Our Favorite Online Auction Site or ripping packages open when I’m barely through the door."

I gave her question some thought and replied in the comments to the effect that my own infatuation with scent has definitely peaked or plateaued, and that my acquisitions of full bottles or decants in swaps are much more selective these days. My existing - ludicrously substantial - collection gives me a sensation of satisfaction and "fullness" not dissimilar to someone patting their stomach after a delicious four course meal. In my comment I compared it to a feeling of maternal pride: "I opened the door of my perfume fridge yesterday and the beatific gaze with which I viewed its serried ranks of bottles and decants could be likened to a proud mother looking at her brood of children round the dining table and thinking that ten are probably enough now (more or less)."

So given that that is where I am at - and happy to be so - how would it be if my scent options were severely curtailed? For also this week, Eyeliner on a Cat posed the question: "if you had to choose, which 3 houses would rule your kingdom", hypothetically restricting our scent selection from now on to the ranges of just three perfume houses. Actually, that could still be a pretty large pool if you pick your houses right - don't go for Stephen Burlingham, say, or Isabey, with just one or two scents to their name!

Then the other day I was testing - on multiple skin sites, rather rashly! - a freebie sample I got in Holland on my recent work trip. It was Ed Hardy Love Kills Slowly, a fruity floral number of supreme forgettability, and I upset myself by imagining how I'd feel if this were the only perfume I was allowed. Would I even wear it? That is a good question, and the answer is a guarded yes, for it is by no means horrible, just cheap and a bit synthetic and nondescript. I actually can imagine quite a lot of "regular" men enjoying smelling this on their womenfolk.

Top notes: Apple souffle, mango, wild strawberry, ruby red grapefruit.
Mid notes: Freesia petals, watery muguet, linden blossom.
Dry notes (sic!): Warm amber, sensual musks, tonka bean, vanilla pudding.

Now it happened that around the time I was testing Love Kills Slowly, Katie Puckrik posted a video on her blog of Christophe Laudamiel talking about what makes a perfume smell cheap, and I mentioned the Ed Hardy in a comment, and how I had been trying to figure out wherein lay its cheapness. To which Katie replied:

'"Love Kills Slowly", eh? Sounds like you were speeding up the process with your multiple site approach.'

And this got me thinking about how too little choice could very likely kill one's hobby stone dead. As in "Kills Love Slowly" rather than the reverse. Yes, lock me up with just Jean-Paul Gaultier's range of scents for ever - or Hugo Boss, say - and I wouldn't be happy. I wouldn't give up on scent altogether, and would seek out the least uncongenial offerings from each range to wear, but I would be restlessly pacing my artificially imposed perfume prison cell all the while.

Which is not to say that there aren't days when the sheer size of my scent collection doesn't feel like a burden. That's when I go to pick out a SOTD and am paralysed with inertia, or when I worry about my bottles going off despite their temperature controlled habitat. But...any time I feel overfaced by the cornucopian contents of my fridge, I remember my local chemist and remind myself how lucky I am not to only have access to its paltry perfume range for the rest of time.

I should perhaps explain that while in most of Europe there seems to be a clearer demarcation between pharmacies selling drugs and drugstores (somewhat perversely) not selling drugs so much as cosmetics, toiletries and household cleaning products, in the UK our independent pharmacies tend to dabble in all manner of non-pharmaceutical lines, from body butters to hair grips, spectacle cases and rubber gloves. These tend to be very bargain basement brands, if one can even dignify them with that name.

So going back to perfume, when I say that my local pharmacy carries a "paltry" range of perfumes, I mean very poor indeed - as in sparse, and of very mixed quality.

Here they are:

Aromatics Elixir
Charlie (Red)
CK Eternity Moment
Britney Spears Curious
Paris Hilton Heiress
Kylie Minogue Sweet Darling
A banded twinpack of Moschino Oh! and something else in a gold pack - a body lotion, perhaps?

Yup, that really is it!!!

The controversial Clinique classic aside, if that was all you had to wear for ever, it just might kill your love of scent pretty darn quick. For though having a great deal of choice is a double-edged sword, as a perfumista, once you have sampled "the drunkenness of things being various", to quote my favourite line from the poet Louis MacNeice, most of the time you never look back...

World is crazier and more of it than we think,
Incorrigibly plural. I peel and portion
A tangerine and spit the pips and feel
The drunkenness of things being various.


Louis MacNeice (extract from Snow)

Photos of pharmacy logos from national-pharmacy.net and nhs.dg.scot.nhs.uk, photo of bodice ripper novel from thesocietypages.org, photo of Ed Hardy perfumes and logo from ioffer.com and uptowngirlfashion.com, photo of hair accessories stand from emeliaaccessories.co.uk

Monday, 26 July 2010

There Is Nothing Either Good Or Bad...

The other day, when I was picking a perfume to wear, I caught myself actually feeling excited by the huge choice at my disposal. As I pulled out various bulging gauze bags from the beer chiller, spilling dozens of samples on the carpet, I felt a warm proprietary glow. I fingered each 1ml vial in turn, and took pleasure in my imaginary wearing of it. Imaginary because there is simply not the time to get round to most of them. As my signature on Basenotes reads: "So many scents, so little skin!"

What was interesting is that on this occasion my overriding feeling was one of pleasure and well-being. I found the size and variety of my collection comforting, as my father used to do with books. Towards the end of his life, these were stacked from ceiling to floor in every room of his small flat, including the bathroom, and though completely entombed and with barely anywhere to sit or lie or put things, he always referred to books as his "friends".

I, on the other hand, flipflop between feelings of pride and accomplishment: "I built this collection from EL Intuition up!" "I am lucky to own all these lovely perfumes - I am really spoilt!" and feeling "spoilt for choice" in a negative sense. In other words, "option anxiety" weighs heavily some days, and I fret about things going off (which they are starting to do), and after some listless rummaging I end up wearing any old thing that comes to hand and start the day on quite the wrong "note".

Now... nothing changes from one day to the next, yet I may feel differently about my collection. It is a prime example of "glass half empty or half full" syndrome. Or in the case of my perfume fridge and drawers: "well stocked with a great selection" versus "ram-packed to overflowing and on borrowed time". Hamlet's famous line also serves my purpose of ethical relativism rather well: "There is nothing either good or bad, but thinking makes it so".

Years ago, I took my mother on holiday to Crete, and it rained all week except for the day we travelled home. It was the "mother of all wash outs", a deluge of Biblical proportions - the worst rain the island had ever known since the 1920s. Fishing boats and public transport were grounded, there was a thriving black market in pac-a-macs and wellingons, and holiday makers were soon confined to their hotels, having run out of dry clothes and shoes.

One afternoon, the two of us were lying on our beds. My mother was knocking back miniatures of Metaxa brandy and reading Henry James, while I was looking forlornly out of the window at the lashing rain. Suddenly Mother piped up out of nowhere, in a bright, Pollyannah-ish voice:

"Ah, but think how the plants must be enjoying a good drink at last!"

At the time, clearly I wanted to punch her. But recently I have been giving this incident some thought, and reckon that there is a lesson here, namely that my attitudes towards my perfume collection correlate with how I am feeling generally. When I cannot see the computer screen for a fringe of post-it notes, and as fast as I cross things off my to do list several other items appear, hydra head-like...on such days negativity and pessimism tend to infiltrate every corner of my life.

On the day of which I speak, when I was feeling upbeat and positive about the wealth of choice at my fingertips, I suddenly came across a sample I didn't know I owned, called "Gratitude" by Zorica of Malibu. It is a 100% perfume oil, containing just oils of grapefruit and vanilla.

On the accompanying card, it says:

"Carry it in your purse and experience Gratitude every day."

I'm not a big fan of grapefruit, as regular readers may recall, and the overriding impression is of an artificially flavoured foodstuff of some kind. A reviewer on Fragrantica puts her finger on it by likening Gratitude to an "orange creamsicle". Without even knowing the meaning of "creamsicle", this sounded very apt to me. I started to imagine frozen cream soda flavoured with fruit - then I looked it up to find that it is in fact the American word for an ice lolly with an ice cream centre. Aha - so we are talking about a lolly like Wall's Solero. That is bang on.

There is a sickly confection quality to this scent, and an oily texture - which it can't really help I suppose, being 100% oil. If someone out there remembers giving this to me in a swap, please don't be offended, for it has taught me a lesson, which I will put into practice on the days when I don't feel quite so upbeat about the humungousness of my perfume collection.

"Experience gratitude every day that you own many perfumes other than this."

Or possibly: "Be grapefruit for small - or in the case of my collection, quite substantial - mercies."


Glass half empty mug from zazzle.com
Photo of Gratitude by Zorica from Fragrantica.