Showing posts with label Creed Love in Black. Show all posts
Showing posts with label Creed Love in Black. Show all posts

Wednesday, 30 January 2013

"Used Cosmetics Samples" - More Perfume Mailing Mither And My Makeupalley Karmic Comeuppance

Perfume lovers the world over like to spread the love. They do this on the swap scene of Makeupalley, the various split sites like Google Scent Splits, as well as spontaneously sending so-called "care packages" of perfume to fellow fumeheads in need, of which I have also been a lucky recipient.

Unfortunately, the postal services pretty much anywhere you care to name take a dim view of mailing perfume. I had a pop at the US Post Office once following an encounter with a very draconian counter clerk in Venice, LA - see the US POST OFFICE DIGRESSION about half way down this post. And fragrance is still prohibited by dangerous goods regulations here in the UK, though that looks set to change for consumers in July of this year according to an article last November in the trade magazine "Post and Parcel":

"Royal Mail customers will be able to post items like aerosols, nail varnishes, perfumes and aftershaves to UK addresses from next year, after a review of rules banning such items from the postal network."


VENICE POST OFFICE - NICE FRESCOS, SHAME ABOUT THE SPANISH INQUISITION

The rules regarding international outbound parcels were revised earlier this month, and sadly the position has not eased on shipping perfume to friends across the pond, though it's good news for those of us who had been champing at the bit to send lithium batteries on a bit of a hike.

"Aerosols will continue to be prohibited from international parcels, as will nail varnish, perfumes and aftershaves, but when lithium batteries are contained within an electronic device, the revised rules will allow them to be sent internationally."

So it looks as though, for the foreseeable future, it's business as usual when it comes to posting perfume outside the EU, namely getting creative with the content descriptions on the customs form. The tried and tested favourite of Makeupalley swappers who are bold enough to flout the rules in this way is: "used cosmetics samples", though the prize for the all-time most audacious descriptor has to go to The MOTH, Bloody Frida's husband, for writing "knitted hat" on a consignment of perfume bound for me. Included in the parcel were admittedly a couple of skeins of sock wool, but even so, "knitted hat" was spectacularly stretching the point. (The whole charming story is reported here.)


Yes, I have been sneaking packages of perfume past international customs officials with the weasel words "cosmetic samples" for some five years now. I guess "perfume" could very loosely be construed as a subset of "cosmetics", certainly of beauty products. However, "the beauty" of saying "cosmetics" rather than "beauty" is that it sounds reassuringly solid, and not likely to slosh around in transit, like a cleansing lotion or shampoo - or God forbid, an alcohol-based product like perfume. The addition of "used" merely serves to gross out the officials - and with any luck put them off their spot check duties with disagreeable visions of half-used cacky cakes of shimmer shadow, claggy mascaras and smeary stubs of lipstick.

And then some time last year, I entered into a swap more as a "coerced act of kindness" than because of any interest in the items the swapper had on offer, quite the reverse. The swapper in question - as I later learnt - has acquired a bit of a reputation for cajoling her fellow Makeupalley members into doing deals they would not otherwise have entertained. In this case she wanted 15-20ml of Creed Love in Black in return for anything I could pick out from her list of mostly make up items and drugstore fragrances. At one point she said I could have EVERYTHING on her list, which actually filled me with alarm.


"I have longed for this fragrance for so long...I am seldom able to go out...I do enjoy wearing good fragrances at home because it lifts my mood...if you would swap, consider it your good deed for the day.... actually for this fragrance, it would be your good deed for the year."

So in the face of such a compelling appeal to my better nature, of course I caved in to her plea, and we settled on the Creed in return for a Sue Devitt blusher. It was in a colour (Malay Reef) which may or may not have suited me, not ever having come across the brand in the UK. It was hard to judge the shade in Google images, but it looked on the dark side to me, the sort of shade that Christina Aguilera might even consider ill-advised. Not to worry, I thought. I am going to consider this as a good deed for an unspecified timeframe! (A year did sound rather a long time to me. What about all those charity bags that come through my door with annoying frequency, all vying for my attention? Am I to ignore them, pleading a prior Creed good deed last March?)


But anyway, I sent off my end of the swap, duly labelled as "used cosmetic samples", even though it was in fact a single large atomiser of Love in Black (with a smaller one as an extra). After a couple of weeks and a few bizarre crossed wires with the swapper, the details of which I shan't trouble you with, I received my package containing the blusher. And - finally - I also received my customs-snook-cocking comeuppance. For the blusher had been swiped already ie it was "a used cosmetic", if not a sample as such. And that had not been made clear in the exchanges between me and the swapper. The plastic metal-effect case was also scratched, but some people might not have been too bothered by that.


So the central item was a bit of a disapointment to be honest, and the RAOK (Random Act of Kindness) extras that had been put in with it were a bit offbeat - costume jewellery of a type I wouldn't wear, and a lipstick from Lola Cosmetics called VICE in a shade to match - but in fairness people can't be expected to know my taste.


But meanwhile....meanwhile.....there was the wrapping to admire, for this was hands down the most elaborately and exquisitely wrapped swap parcel I have ever received. Gauze and ribbon and petals and miscellaneous haberdashery fripperies and I don't know what. I couldn't help but be impressed. I felt as girlishly thrilled as my four year old self in a tutu. All my misgivings about the evenness of the swap or the wheedling manner in which the deal had been struck fell away, as I plunged my hands gleefully into the sea of petals. And even now I still chuckle about the day I actually received used cosmetics that weren't even labelled as such...


Have you had any less than stellar - or merely downright peculiar - swaps? Do share! Can you beat my all-time most bizarre extra item, a face mask fashioned from sheeps' placentas? For your sakes, I do hope not.




Photo of Venice Post Office from venicebeachliving.com, photo of Christina Aguilera from lovelyish.com, other photos my own. NB I have since tried the blusher, but even on arrival it was obvious that it had been previously used.


Sunday, 8 August 2010

Ida Delam Le 6 - The Dirty Half Dozen

Ida is not a common name. When I was a kid, I knew a farmer's wife in Co Down called Ida Thompson, and in perfume circles there is of course Cafleurebon's Senior Editor, Ida Meister (known to many by her screen name, Chayaruchama). But those were the only two Idas I had come across, if we exclude the Hindu goddess, and sundry sacred mountains in Greece and Turkey.

Until, that is, lovethescents sent me a sample of Ida Delam Le 6 as an extra in a swap. This third Ida is the founder of a spa called Le Six, located (quite properly) in the 6e arrondissement of Paris. She has a quirky, primitive logo, that looks rather like a sixth eye, and one of those irritating animated websites with an arthouse film intro, on which you click furiously in a futile attempt to skip it. I never did manage to bring up the perfume page, but I doubt I am missing much, for the website seems heavy on mood creation and light on information.

Of more interest perhaps is this video, which gives us a bit of a clue about the intended positioning of the scent. Extra bonus points for anyone who can identify the precise game involved. Not roulette, rummy or fruit machines is all I could say with confidence. Check it out HERE.

What I take from the video is that the wearer of Le 6 perfume is a risk taker: she gambles, she wears a top hat, despite the very real risk of being mistaken for a bunny girl, and she walks home alone late at night. She also appears to throw her winnings away (assuming those are chips and not a useless jigsaw with some pieces missing). This suggests a complete detachment to material wealth or a supreme confidence in her ability to win her discarded winnings back again. My money's on the latter.

Okay, so.... based on the video do you feel an affinity with this top hatted totty target wearer? Please all form an orderly queue, while I dredge up any other sketchy info on Ida Delam Le 6...

According to The Scented Salamander, who seems to be one of the very few perfume blogs to have featured this scent, Le 6 was inspired by "the personal fantasy of the soul of Gabrielle Chanel having crossed Delam's path one day". Pardon? I don't know about you, but bumping into Coco Chanel is not high on the list of my fantasies... I am not even terribly bothered about meeting Keira Knightley.

And as for the scent itself, it is apparently a "a wink at or homage to" Chanel No 5. So what we have here basically is a self-possessed, A-type gambling bunny girl with classic perfume tastes. Personally I am not convinced that the girl in the video would aspire to wear a perfume as iconic yet conventional as No 5. I see her more in the likes of Armani Code - something she would perceive as mysterious and slutty based on the TV ads - but which the perfume community (or me, anyway!) might dismiss as just another cheap, synthetic take on orange blossom.

Having sampled Ida Delam Le 6 on 3-4 occasions, I can't say that I see much of a resemblance to No 5 - and the notes are very different too, so as winks go, I'd say it's more of a barely perceptible twitch:

Top: almond, star aniseed, aldehyde
Heart notes: absolute of myrrh, iris, violet
Base: musk, vanilla, white amber

Notewise, I see more of a resemblance between this and Creed Love in Black:
Greek wildflowers, violet, Virginia cedar, iris, clove, tonkin musk, blackcurrant, rose

Both fragrances have iris, violet and musk, and - crucially - both have an unpleasant opening. In the case of Love in Black, this has been described in reviews as a "tarry note", which I'd go along with. The opening of Le 6 is more like a musty violet-scented patchouli, even though I see no patchouli listed. But "dirty" or "musty" is the overriding impression. Fortunately, both scents get appreciably better as they develop, but I can't help wondering why perfumers make scents that get off to such a disagreeable start - if indeed they do so by choice. Is it a non-negotiable characteristic of iris (known for its rootiness, which for all I know may be the half-sibling of mustiness)? Ah, but not all iris scents have a nasty opening, so it cannot be iris per se, though iris and violet together may be unhappy bedfellows, or at least until they have got into their stride...

Thinking about it, there are quite a few other perfumes I like a lot, except for their musty and/or medicinal top notes eg Strange Invisible Perfumes Magazine Street, Damien Bash Lucifer #3 and Parfumerie Générale L'Ombre Fauve. Why can't the perfumers sort out the openings of those otherwise great scents? After all, you wouldn't invite guests to a dinner party and line them up against a wall and whip them savagely, before offering round the sherry and the salted nuts as if nothing had happened? Well, not at any normal kind of dinner party, you wouldn't. Does the perfumer think we will appreciate the rest of his/her creation disproportionately if the top notes are downright horrid - ie the olfactory equivalent of beating your head against a brick wall - because "it's so nice when you stop". That remains my working theory until I learn otherwise.

And certainly the latter stages of Le 6 are very enjoyable - a soft, musky, iris-violet accord, warmed by a hint of amber in the base: rich without being heavy or cloying, and neither noticeably powdery nor sweet.

Ida Delam Le 6 isn't strange enough to warrant inclusion in the "Weird Waft Series", but it IS "difficult" and involves "work". And as with my day job, sometimes I am in the mood for grafting, while at other times I fantasise about winning the lottery. And just occasionally I have even bought a ticket, which is a bit of a prerequisite, I suppose. Hmmm...next time there's a rollover, I really should try the top hat too...


Photo of Ida Delam Le 6 from the company's website, photo of Ida Delam from insolitissimo, cartoon of bunny girl from vi.sualize.us, photo of an iris from dreamstime, photo of floral wallpaper from flavorleague